Grgur Gržetić, Katarina Radić
Hasil untuk "Greek language and literature. Latin language and literature"
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Xavier van Binnebeke
O estudo apresenta de modo breve e introdutório o Mémoire sur l'origine et les progrès des Pantomimes chez les anciens, a primeira obra de Silvestro Pinheiro Ferreira (1769-1846). Este ensaio de juventude sobre a pantomima clássica nunca foi publicado pelo autor e só chegou até nós através de um único testemunho, um manuscrito autógrafo que se conserva no Arquivo Nacional da Torre do Tombo em Lisboa. Esquecido até agora, trata-se de um texto no qual reconhecemos um estudo original e verdadeiramente arquetípico de Silvestre Pinheiro Ferreira.
Kornelija Pavlić
Marko Marinčič
Poezija/verzifikacija v latinščini je obroben del Piccolominijevega literarnega opusa. Vendar je Cinthia, četudi ne pesniška mojstrovina, zanimiv primer ustvarjalne imitacije latinskih klasikov. V prepričanju, da se v ozadju elegičnih »muz« v rimski ljubezenski elegiji skrivajo resnične osebe, verjetno poročene ženske, Piccolomini svoje razmerje s poročeno Sienčanko Angelo Acherisi upodobi kot literarno podoživetje Propercijeve zgodbe s Cintijo. Tako kot Propercij in trubadurji ljubezensko elegijo deloma razume kot »poezijo dvorjenja« in sledi tudi drugim konvencijam rimske elegije, ob tem pa zavestno stopnjuje motiv neizpolnljive ljubezni »iz daljave« in eksistenčno konfiguracijo eros-thanatos (sklepna, 23. pesem). Cinthia je zanimiva tudi kot šolski primer humanistične verzifikacije, v kateri poetologija že v izhodišču prevlada nad erotično izkušnjo: programski pesmi za »Cintijo« sledita kar dve izrazito površinski hvalnici Vergiliju. Prisotnost Propercija, ki je kot nekonvencionalen pesniški zgled zbirki posodil programsko ogrodje (ingenium ipsa puella facit; Cynthia finis erit), je tudi v samem besedilu mnogo šibkejša od Vergilijeve. Prevlada poetologije nad erotiko se torej kaže tudi v tem, da »ekscentrični« Propercij (sunt qui Propertium malint, Kvintilijan) v novem kontekstu slejkoprej predvsem utrjuje Vergilijev kanonični položaj.
Grgur Gržetić, Ružarijo Lukas, Katarina Radić et al.
Femando Nieto Mesa
El tema de la brevedad de la vida es común a los poetas griegos y romanos, no menos que a los orientales, a juzgar por copiosos ejemplos bíblicos. Una de las imágenes que ponen de manifiesto este carácter efímero de la existencia humana es la hoja del árbol que cae con los vientos de otoño. Se comparan dos textos: Eclesiástico, XIV, 18-19, e Ilíada, VI, 146-149, y se deduce, por el cotejo de ambos, que el primero depende del segundo.
Sarah Brauckmann
Mignosa, Valentina
Decreto inciso su una lamina di bronzo in stato frammentario rinvenuta nell’area di Palazzolo Acreide e oggi conservata al Metropolitan Museum. Il testo riporta menzione di alcuni privilegi (ateleia/isoteleia; enktesis) concessi a un individuo o a un gruppo di individui da parte di una polis (non nota) nella quale il gruppo dei gamoroi (proprietari terrieri costituenti l’aristocrazia siracusana) doveva svolgere un ruolo politico centrale. Il decreto è stato datato dalla maggior parte degli studiosi tra il 491 e il 485. Tuttavia, dal punto di vista paleografico diversi sono gli elementi che permetterebbero di datarlo alla fine del VI sec. a.C.
Giles Dawson
John Thorp
Este artículo estudia el tenso capítulo (V.7) de la Ética nicomáquea sobre la justicia natural, y sostiene que la principal tradición comentarista ha tomado un camino equivocado al malinterpretar dos momentos bastante precisos del argumento. Una vez corregidos ambos errores, vemos surgir un Aristóteles que, lejos de ser un campeón de la teoría de la ley natural en la ética, sostiene que los principios morales con que los humanos estamos naturalmente dotados son variables, y en dos sentidos: no solo varían a través del espacio y el tiempo, sino que también pueden ser modificados deliberadamente mediante el hábito.
Theodorus Fransen
Artur Dominik Pacewicz
In this paper, I explore the educational and political dimensions of pleasure in Plato’s philosophy. The main texts analysed are the Republic and the Laws. Plato shows clearly the significant role that pleasure plays both in individual human lives (from birth to death) and in society. Importantly, this makes it possible to judge the moral condition of both the individual and the state, and to philosophically justify this judgement.
H. Eldridge
Софронова Лидия Владимировна, Хазина Анна Васильевна
Introduction: This publication is a Russian translation of the treatise of the Dutch humanist Erasmus of Rotterdam «On the method of study, as well as reading and interpreting of the authors» (1512). The treatise was compiled for the new grammar school of St. Paul in London, but became widely known in the European humanistic environment. To identify and adequately interpret the pedagogical ideas of Erasmus specialists in the history of pedagogy should refer directly to his writings. However, Russian historiography still have neither a verified translation of the treatise, nor the studies devoted to it. Materials and methods: The basis for this translation from the original was the latest critical edition of the source in the Amsterdam collection of the Latin Erasmus’ writings; the translation was checked with a modern English translation by B. McGregor in Collected Works of Erasmus. When compiling the comment, the researches drew upon the explanatory notes made by J.C.Margolin in the edition of Erasmus’ Opera omnia. The traditional methods of translation, historical-philological criticism and hermeneutical interpretation of the source have been used as the main research tool in the issue. The paradigm-pedagogical approach served as an important methodological guideline for the authors. Results: In accordance with the Renaissance tradition of the revival of the ancient heritage Erasmus considers the study of classical literature to be the basis of education in general. The humanist develops a two-level curriculum, offers recommendations for choosing and training of teachers, gives various methodological advice to a teacher for delivering classes in grammar, rhetoric, reading and interpretation of Latin and ancient Greek authors. Discussion and Conclusions: The provisions of the Erasmus of Rotterdam's treatise «On the method of study» are of an applied nature. They were in demand in the school audience in many European countries in the Modern Age, which led to the popularity of his works. Nowadays his recommendations also have not lost relevance and under the name of «interactive methods» they can be successfully applied (and are being applied) in teaching of both ancient classical and foreign languages. More broadly, Erasmus' ideas allow us to identify the specifics of the pedagogical concept of the Northern Renaissance and the enlightenment reform of education and society as a whole.
Julia Burghini, Javier Uría Varela
Consencio vivió en la Galia en el siglo V y fue el autor de un tratado gramatical, del cual se conservan dos partes: de duabus partibus orationis nomine et uerbo (GL 5.338- 385) y de barbarismis et metaplasmis (GL 5.386-404). Esta última es la obra más extensa acerca de barbarismos escrita por los romanos y es de gran importancia para los estudios clásicos porque, a excepción del Appendix Probi, es el único tratado que proporciona numerosos ejemplos de la pronunciación de la lengua hablada. Nos ofrece un panorama tanto del estado de la lengua, junto con ejemplos de peculiaridades dialectales, como de los estudios gramaticales respecto del momento en el que fue compuesto. La traducción que presentamos es la primera traducción completa del ars de barbarismis et metaplasmis a una lengua moderna.
Analía Nieto González
I. Moody
The history of music in the countries of Southern Europe has, in general, been examined either from the West or from the East. This has had to do with traditional and univestigated assumptions of divisions on religious and linguistic grounds, amongst others, and a lack of familiarity with the relevant literatures which it self derives in large part from a lack of familarity with the relevant languages. Thus, there has been very little comparison of aesthetics in the context of emerging or newly-established nations, and the vital and simultaneous investigation of modernism in those countries, that takes into account both the countries of the Mediterranean and of the Balkans, rather than viewing them as peripheries and discussing them almost exclusively in relation to a theoretical centre. In a number of recent publications and papers, I have aimed to break down some of the seborders precisely by confronting the question of tradition and modernism and bycomparing and contrasting the music of the Latin/ Roman Catholic South-West with that of the Slavic and Greek/Orthodox East, at the same time endeavouring todiscuss this problem in a very broad sense, which I believe to be necessary in establishing the groundwork for future investigation in this area. In this article I discuss this approach and examine the problems inherent in its implementation, given both the need for breadth of historical and geographical vision (i.e., denationalizing music histories) and for the avoidance of a musicology of cliché, born of ideology rather than unbiased curiosity.
E. Civit, Jorge Horacio
Jerneja Kavčič
1 (827d−f ) Platon v Zakonih pravi, da človek ne sme poseči po sosedovi vodi, če ni najprej prekopal svoje posesti, prišel do zemlje, ki ji pravimo ilovnata, in se prepričal, da je brez vodnega vira; za ilovico je namreč značilno, da se zato, ker je mastna in zgoščena, kopiči nad tekočino in jo vsrkava, a hkrati je ne prepušča. Po drugi strani pa morajo biti deležni tuje lastnine tisti, ki nimajo lastnih virov. Zakon namreč pravi, da je v stiski treba pomagati. Mar ne bi moral torej obstajati tudi zakon, ki bi človeku prepovedoval izposojati si denar ali posegati po tujih virih, če ni najprej temeljito preveril svojih domačih sredstev in kot iz vodnega vira izčrpal vse, kar je uporabnega in nujno potrebnega? V resnici pa ljudje iz razvajenosti, lagodnosti ali razsipnosti ne uporabljajo svojega premoženja, četudi jim ga ne manjka; nasprotno, za visoko ceno si izposojajo pri drugih, tudi če za to ne obstaja prava potreba.
Luciana Percovich
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