Hasil untuk "Dramatic representation. The theater"

Luz García

En esta entrevista, Pompeyo Audivert reflexiona sobre su concepción del teatro como experiencia vital, su metodología pedagógica y el proceso creativo detrás de Habitación Macbeth, el unipersonal que permanece en cartel desde 2021, multipremiado y con un sostenido reconocimiento de crítica y público. A lo largo del diálogo, comparte anécdotas de la función, menciona a figuras que admira dentro y fuera del ámbito teatral, y expone su mirada crítica sobre la actualidad cultural. La conversación revela no sólo el pensamiento de un artista singular, sino también la potencia de una práctica escénica que busca intervenir en lo real desde una zona metafísica.   In this interview, Pompeyo Audivert reflects on his conception of theater as a vital and metaphysical experience, his pedagogical methodology, and the creative process behind Habitación Macbeth, a one-person show that has remained in repertoire since 2021, earning multiple awards and sustained recognition from critics and audiences. Throughout the dialogue, he shares anecdotes about the performance, mentions figures he admires both within and beyond the theatrical field, and offers a critical perspective on the current cultural landscape. The conversation reveals not only the vision of a singular artist but also the power of a theatrical practice that seeks to intervene in reality from a metaphysical dimension. DOMINIO ARK: https://id.caicyt.gov.ar/ark:/s30087562/rxx2rektx

André G. Henriques, James E. Tener

We show that every unitary positive energy representation W of the Virasoro algebra exponentiates to a holomorphic *-representation of the semigroup of annuli by bounded operators on the Hilbert space completion of W. We use this to show that every representation of the Virasoro conformal net also carries a representation of the semigroup of annuli of the same kind.

Paula Echalecu

Con la muerte del padre, una familia se reencuentra después de 23 años.  La hija mayor vuelve del exilio al que fue empujada durante la década del '70. Vuelve a buscar lo que le pertenece, y se encuentra con una versión de su propia historia que puede cambiar drásticamente su mirada sobre el pasado. Tres mujeres, todas ellas juezas y partes, por las que la historia nacional de los últimos 50 años ha pasado dejando cicatrices indisimulables, lucharán por desentrañar la maraña de su propia existencia, atravesada por la memoria de lo que fue, de lo que pudo ser y de lo que jamás será. Una memoria caprichosa, que se pierde y se recupera en mecanismos de defensa y ataque. Una memoria que late todavía. ARK CAICYT  https://id.caicyt.gov.ar/ark:/s30087562/5jakpd7mk

Matteo Casari, Diego Pani

The article examines the evolution of UNESCO's paradigms concerning the Convention for the Safeguarding of the Intangible Cultural Heritage (ICH 2003) compared to the Convention for the Protection of the World Cultural and Natural Heritage (1972). Specifically, employing an anthropological approach, the analysis centers on authenticity and cultural identity. As a case study, the article takes the "Canto a tenore, Sardinian pastoral songs," inscribed in the list of intangible cultural heritage due to its association with pastoralism. The objective is to contemplate the limitations and challenges associated with this designation and the broader issues surrounding ICH 2003. The article explores the journey undertaken by Sardinian singers and institutions following its recognition in 2005, culminating in Modas, the most recent initiative to study and preserve the practice of tenore singing. Through its activities, this project aspires to be more inclusive of polyphonic practices featuring multiple vocal components that have not yet found a place on UNESCO's list.

Benjamin Sambale

These notes arose from three lectures on fusion system I gave at the University of Valencia in February 2023. We first consider fusion phenomena in classical group theory. Then we develop the abstract theory of fusion systems. Finally applications to representation theory are given. We will not consider applications in topology.

Дәрібаев Мейір Жұлдызұлы

Данная статья раскрывает основные функции артменеджмента в музыкальном шоу-бизнесе на примере деятельности крупнейших мировых музыкальных лейблов. Практическая ценность предлагаемой информации заключается в возможности применения зарубежного опыта в целях выведения местной музыкальной индустрии на новый уровень развития. Новизна нашего исследования заключается в рассмотрении процессов производства и дистрибьюции музыкального продукта сквозь призму маркетинга и социальной психологии – ведь именно понимание потребностей и нужд потенциальных потребителей отличает независимое музыкальное искусство от музыкального шоубизнеса. Мейджор-лейблы – это бренды крупнейших компаний, которые занимаются всеми многоступенчатыми процессами создания и продвижения аудио-видеопродукции. Именно на примере деятельности лейблов можно наиболее развернуто рассмотреть все тонкости музыкального шоу-бизнеса.

Luciano Mendes de Jesus, Sayonara Sousa Pereira

It is proposed in the paper to observe the role of African-diasporic songs in the work of Jerzy Grotowski and in the context of continued research at the Workcenter of Jerzy Grotowski and Thomas Richards. We reflect on the songs from their epistemological and political potencies and as fundamental elements for an ethnic-racial discursivity in studies of this important work in the field of performing arts. The notion of songs of black experiences proposes the understanding of the term tradition songs, central in Grotowski’s work, as means of communication of diasporic and Afro-descendant experiences, contrary to the solely instrumental and uncritical use of these performative technologies.

André Luiz Lopes Magela

This article presents reflections on certain public education policy guidelines, oriented to the labor market and exemplified by Organisation for Economic Co-operation and Development (OECD) recommendations, concerning their influence on artistic education and, more precisely, theater education. It addresses existing problems in the field of education in Brazil and France, with emphasis on conceptual causes. In a possible contribution to debates on utilitarianism in theater education, the concept of resistance, present in Michel Foucault’s works, is used as mediator in the utilization of cognition studies to analyze the planning, practice and evaluation of theater classes in primary schools.

Martina Coletti

Questo intervento prende le mosse da un articolo uscito sul trimestrale D’ARS nel 2010 dedicato ad alcune operazione artistiche ascrivibili all’ambito del media attivismo di quegli anni in Italia, con particolare riferimento a pratiche, riflessioni critiche e strumenti mutuati dal web e ascrivibili al fenomeno dell’hacktivism e dell’hacking sociale. Il termine “net.art” definisce nel campo dell’arte molti dei lavori trattati. Tra le dinamiche più ricorrenti si ritrova il détournement, l’irriverenza del gesto dada che si insinua negli ingranaggi delle macchine del potere per ridimensionarne la portata e dare spazio all’immaginazione. Il testo ricostruisce il periodopartendo dai netartisti 0100101110101101.org e dalla vicenda del Conflitto di Tirana; piùspecificatamente sul terreno dell’artivismo si ripercorrono alcune delle operazioni condotte da LesLiens Invisible, mentre con AOS – Art Is Open Source si apre il versante della riappropriazione di linguaggi e strumenti.

Ana María Vallejo de la Ossa

Au cours du XXe siècle, la relation entre le théâtre et la politique en Amérique latine est constante, surtout moyennant le lien délibéré de nombreuses troupes de théâtre avec les pensées et mouvements de gauche. Au XXIe siècle, et dans le cas de la Colombie en particulier, d’autres manières de comprendre la politique réclament un lieu sur la scène. C’est ainsi que l’art de la performance semble donner au théâtre différentes possibilités pour comprendre et aborder de nouvelles questions politiques. Cet article propose un regard sur quelques pièces colombiennes à la lumière de la relation entre le théâtre et l’art de la performance et sur certains des thèmes qui les rapprochent, par exemple le lieu de la réalité sur scène et, surtout, le rôle des victimes du conflit armé colombien.

Alana Huszar

Fortin and Reutenauer defined the non-commutative rank for a matrix with entries that are linear functions. The non-commutative rank is related to stability in invariant theory, non-commutative arithmetic circuits, and Edmonds' problem. We will generalize the non-commutative rank to the representation theory of quivers and define non-commutative Hom and Ext spaces. We will relate these new notions to King's criterion for $σ$-stability of quiver representations, and the general Hom and Ext spaces studied by Schofield. We discuss polynomial time algorithms that compute the non-commutative Homs and Exts and find an optimal witness for the $σ$-semi-stability of a quiver representation.

Ernesto Gomes Valença

O artigo aborda a relação de tensão entre ficção e realidade no teatro contemporâneo a partir do conceito de teatro performativo e em relação com a filosofia de Vilém Flusser, utilizando-se de exemplos de recentes encenações e baseando-se em análises de reconhecidos pesquisadores. As noções de ficção, realidade, intelecto e conversação na filosofia de Flusser são mobilizadas para sugerir que o teatro contemporâneo é uma espécie de intelecto performativo diferencial, configurando não uma representação, mas uma expansão da própria realidade.

Joshua Ciappara, Geordie Williamson

These notes provide a concise introduction to the representation theory of reductive algebraic groups in positive characteristic, with an emphasis on Lusztig's character formula and geometric representation theory. They are based on the first author's notes from a lecture series delivered by the second author at the Simons Centre for Geometry and Physics in August 2019. We intend them to complement more detailed treatments.

Magdalena Rewerenda

The paper proposes to study the documentation of Jan Dorman’s production based on Oscar Wilde’s Happy Prince as a model for Jan Dorman’s thinking about a connection and a feedback loop between theatre and archive. The production forms the basis for a more detailed examination of Dorman’s multi-layered interest in his own archive as well as the ways in which memories of his art and private life can be preserved. Using the findings developed in the area of archival turn and hauntology, the paper elaborates on the most important spheres of Dorman’s intentional self-archiving: his frantic collecting and cataloguing, the habit of constructing a cultural repository for himself and his co-workers, confabulating and self-mythologising, recycling of objects, characters and motifs to be used again in subsequent productions. In the resulting vision of Dorman’s archive, it appears to be a deliberately constructed performative space rather than merely a collection of material traces of his professional and private life.

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Noty o autorach

Marie-Eve Skelling Desmeules

Cet article porte un regard pédagogique sur la mise en corps de la tragédie au sein d’un cours d’interprétation offert par Martine Beaulne à l’École supérieure de théâtre de l’Université du Québec à Montréal (UQAM). S’appuyant sur le concept d’expérience et sur la théorie de l’activité, cette étude vise à mieux comprendre la manière dont les expériences de formation vécues dans ce cours invitent l’apprenant·e à se concentrer et à observer, à occuper le territoire de son corps et celui qui l’entoure, à s’engager dans une rythmique autre que celle du quotidien, à se laisser enivrer par la musique ainsi qu’à se nourrir d’images percutantes et d’objets dotés d’une forte symbolique.

Wen-Wei Li

It is conjectured by Adams-Vogan and Prasad that under the local Langlands correspondence, the L-parameter of the contragredient representation equals that of the original representation composed with the Chevalley involution of the L-group. We verify a variant of their prediction for all connected reductive groups over local fields of positive characteristic, in terms of the local Langlands parameterization of Genestier-Lafforgue. We deduce this from a global result for cuspidal automorphic representations over function fields, which is in turn based on a description of the transposes of V. Lafforgue's excursion operators.

R. Bezrukavnikov, M. Rovinsky

Let $F$ be an infinite division ring, $V$ be a left $F$-vector space, $r>0$ be an integer. We study the structure of the representation of the linear group $\mathrm{GL}_F(V)$ in the vector space of formal finite linear combinations of $r$-dimensional vector subspaces of $V$ with coefficients in a field $K$. This gives a series of natural examples of irreducible infinite-dimensional representations of projective groups. These representations are non-smooth if $F$ is locally compact and non-discrete.

Francesca Simoncini

An atypical actor of the 19th century theatre world, Luigi Rasi retired from the stage early to assume, in 1882, the direction of the Royal Acting School in Florence. His most famous work, I Comici italiani. Biografia, Bibliografia, Iconografia, a two-volume biographical dictionary (1897-1905), is still regarded today as a precious source for the history of actors. The bibliographical and documentary material gathered by Rasi during his studies is kept at the Museo Biblioteca of Burcardo in Rome.

Dylan Rupel, Salvatore Stella, Harold Williams

The cluster algebra of any acyclic quiver can be realized as the coordinate ring of a subvariety of a Kac-Moody group -- the quiver is an orientation of its Dynkin diagram, defining a Coxeter element and thereby a double Bruhat cell. We use this realization to connect representations of the quiver with those of the group. We show that cluster variables of preprojective (resp. postinjective) quiver representations are realized by generalized minors of highest-weight (resp. lowest-weight) group representations, generalizing results of Yang-Zelevinsky in finite type. In type $A_n^{\!(1)}$ and finitely many other affine types, we show that cluster variables of regular quiver representations are realized by generalized minors of group representations that are neither highest- nor lowest-weight; we conjecture this holds more generally.