Hasil untuk "Dramatic representation. The theater"

Cleiton França de Almeida

Este artigo tem como objetivo refletir sobre o processo de criação artística como um modo de elaboração de performatividades de gênero dissidentes. Para isso, é elaborada uma cartografia do processo de produção de Talvez?, uma série artística autoral formada por trabalhos em diferentes linguagens. Primeiramente, discute-se a potência destrutiva e criativa presente no samba e a sua ativação em âmbitos sociais e culturais. Em seguida, é analisada a construção do enredo Testemunho de um eterno amante, o primeiro ato da série em questão, e o que ele reverbera como criação de performatividade de gênero. Por meio de uma aproximação com a linguagem do cabaré advinda do contato com o álbum audiovisual Orgia, de Johnny Hooker, discute-se as afinidades entre os modos de burla do corpo presentes nas escolas de samba e nos cabarés artísticos, especialmente no Rio de Janeiro. Finalmente, aponta-se a importância de manter ativa a potência transgressora engendrada nesses territórios e de praticá-la na construção de modos plurais de ser e de estar no mundo.

Бекеев Н.М.

Актуальность исследования заключается в постановке проблемы эффективности арт-менеджмента как основного условия успешного продвижения современной кинематографии, поскольку арт-менеджмент играет ключевую роль в создании уникального визуального образа и эмоциональной привлекательности кинопродукции. Основные методы исследования включают наблюдение, интервью и анализ литературы. Автор статьи обосновывает, что арт-менеджмент способствует выделению фильма в конкурентной среде за счет создания уникального брендирования и маркетинговых технологий. Визуальные решения, такие как постеры, трейлеры и интерактивные медиа, создают особую атмосферу вокруг фильма, позволяя ему стать частью современной культурной жизни. Технологические инновации (виртуальная реальность, например) открывают новые горизонты для продвижения фильма. Примеры успешного арт-менеджмента автор предлагает видеть в менеджмент-, PR и маркетинг-компаниях фильмов «Париж, я люблю тебя» и «Марсианин», при работе с которыми креативная команда взаимодействовала с аудиторией через социальные сети. В статье приводятся и иные примеры того, как цифровые медиа-платформы дают хорошую возможность поднять роль кинематографа и отдельных произведений в культуре страны.

Francesco Spampinato

This essay offers a comparison between contemporary art from South Korea and art from Western countries, through the solo exhibitions of three South Korean artists of different generations who address media and technological issues in their work: Nam June Paik, Lee Bul and Anicka Yi. The exhibitions surveyed, which sealed the importance of these artists on a global scale, are the following: Paik's Exposition of Music - Electronic Television at Galerie Parnass in Wuppertal, Germany, 1963; Bul's The Monsters Show at Le Consortium in Dijon, France, 2002; and Yi's Life Is Cheap at the Guggenheim Museum in New York, United States, 2017. Through the gaze of these South Korean artists, it is possible to better understand the parameters of technological thinking in the West in distinct eras: the information age, in this case the 1960s, the post-human and cyberpunk culture of the 1990s, and the more recent post-Internet turn of the 2010s. The three exhibitions highlight a range of relationships, resemblances, reciprocities and repercussions between Europe and the United States on the one hand and East Asia on the other, but also peculiarities and differences that denote different conceptions and degrees of impact of digital media and technologies in their respective countries. What emerges, indeed, is the need to move beyond the traditional limits of colonialist-minded forms of techno-orientalism in favor of new avenues of interpretation of a peculiar Eastern technological thought, such as, for example, the concept of “Cosmotechnics” recently elaborated by Yuk Hui.

Natasza Ziółkowska-Kurczuk

The article is an attempt at a critical original analysis of documentary films in relation to the documentary and narrative function of the landscape. The author treats the film space as a ‘world picture’ as understood by Martin Heidegger, and in this context, she presents her own model of seeing and understanding the world present in her own documentary work. The landscape here is saturated with meanings, especially emptiness, lack and post-memory, which speaks the most in a metaphorical way about the non-existent world. The author also refers to Walter Benjamin’s concept of the city as a book, and reads the history of multicultural Lublin, a kind of ghost town, form this perspective. The article is therefore an original attempt to discover the mental layer of the film, which is usually beyond the reach of its recipient.

Nishant Rathee, Ayush Udeep

In this paper, we explore linear representations of skew left braces, which are known to provide bijective non-degenerate set-theoretical solutions to the Yang--Baxter equation that are not necessarily involutive. A skew left brace $(A, \cdot, \circ)$ induces an action $λ^{\op}: (A, \circ) \to \Aut (A, \cdot)$, which gives rise to the group $Λ_{A^{\op}} = (A, \cdot) \rtimes_{λ^{\op}} (A, \circ)$. We prove that if $A$ and $B$ are isoclinic skew left braces, then $Λ_{A^{\op}}$ and $Λ_{B^{\op}}$ are also isoclinic under some mild restrictions on the centers of the respective groups. Our key observation is that there is a one-to-one correspondence between the set of equivalence classes of irreducible representations of $(A, \cdot, \circ)$ and that of the group $Λ_{A^{\op}}$. We obtain a decomposition of the induced representation of the additive group $(A, \cdot)$ and of the multiplicative group $(A, \circ)$ corresponding to the regular representation of the group $Λ_{A^{\op}}$. As examples, we compute the dimensions of the irreducible representations for several skew left braces with prime power orders.

Branislav Jakovljević

While the emergence of new forms of performance writing in the 1960s and 1970s did not eliminate traditional forms of drama, they radically transformed the role of textuality in the theatre. This article argues that when liberated from the rules of dramatic writing and even syntax and grammar, performance writing brings an illocationary logic into textual production. The article concludes with a preliminary consideration of differences between experimental writing strategies and the latest text-generating AI.

Ana Flecha

Santo Daime, religião ayahuasca da Amazônia brasileira fundada em 1930, tem como uma de suas principais práticas uma dança chamada bailado que gera correntes energéticas por meio do balanço coletivo. Os praticantes assumem papéis de espectadores e performer ao dançarem o bailado e se envolvem em um discurso transcorpóreo com vários seres. Com base nos hinos do Santo Daime, na observação participante e em registros pessoais como daimista, neste artigo argumenta-se que o bailado decoloniza a dança de três maneiras: como parte de um sistema de conhecimento caboclo único; através do cultivo de subjetividades coletivas pelos participantes; e ao desafiar as definições eurocêntricas de dança.

Alexander Molev, Eric Ragoucy

We are concerned with finite-dimensional irreducible representations of the Yangians associated with the orthosymplectic Lie superalgebras ${\frak osp}_{2n+1|2m}$. Every such representation is highest weight and we use embedding theorems and odd reflections of Yangian type to derive necessary conditions for an irreducible highest weight representation to be finite-dimensional. We conjecture that these conditions are also sufficient. We prove the conjecture in the case $n=1$ and arbitrary $m\geqslant 1$.

Uri Onn, Amritanshu Prasad, Pooja Singla

We prove two conjectures regarding the representation growth of groups of type $A_2$. The first, conjectured by Avni, Klopsch, Onn and Voll, regards the uniformity of representation zeta functions over local complete discrete valuation rings. The second is the Larsen--Lubotzky conjecture on the representation growth of irreducible lattices in groups of type $A_2$ in positive characteristic assuming Serre's conjecture on the congruence subgroup problem.

Carlos Gontijo Rosa

O objetivo deste artigo é analisar os discursos de quatro Histórias do Teatro Português (HTP) sobre a segunda metade do século XVIII. Após discussão e delimitação dos aspectos estéticos que circulam por Portugal no período e dos problemas relativos ao teatro popular no corpus, estabelece-se uma análise quantitativa das variedades teatrais setecentistas em cada uma das HTP. Tal olhar quantitativo alavanca a análise qualitativa empreendida na parte central do artigo, que visa compreender a posição estético-ideológica do projeto discursivo de cada autor. Por fim, conclui-se que as HTP são marcadas por uma mirada que deve ser revista a partir do pensamento contemporâneo sobre o período.

Changchang Xi

We establish relations between representation dimensions of two algebras connected by a Frobenius bimodule or extension. Consequently, upper bounds and equality formulas for representation dimensions of group algebras, symmetric separably equivalent algebras and crossed products are obtained. Particularly, for any subgroup H of a finite group G, if [G:H] is invertible in a field, then the representation dimensions of the group algebras of G and H over the field are the same.

Aranya Lahiri

For a finite field extension $F/\mathbb{Q}_p$ we associate a coefficient system attached on the Bruhat-Tits tree of $G:= {\rm GL}_2(F)$ to a locally analytic representation $V$ of $G$. This is done in analogy to the work of Schneider and Stuhler for smooth representations. This coefficient system furnishes a chain-complex which is shown, in the case of locally analytic principal series representations $V$, to be a resolution of $V$.

Agnieszka Bresler

Agnieszka Blesler, who has been running therapeutic projects in prisons: Unlocking and Womenstate, presents a method used in theatre practice in Polish prisons, both male (Wrocław) and female (Krzywaniec). It involves a combination of and necessary complementarity between individual and group effects. Describing the stages of the work suggested to the theatre groups in prisons, Bresler points out those moments in the creative process that were associated with crisis situations and required a collective search for solutions. In many situations, it eventually turned out that difficult moments, adverse circumstances and some difficulties (not stopping the work though) strengthened the groups and helped them to achieve another level in artistic work. The paradox is that the limiting factors stimulated not only individual creators, but also the relationships between them. According to the author, the theatre created in prison acts as a bridge, owing to which the person who is serving a prison sentence can be seen in a different light and can actually return to society after leaving prison. Within the practice the author has described theatre is primarily an effective instrument for individual transformation. It also enables the reconstruction of positive interpersonal relationships. Theatre can alter the attitude of society towards prison inmates and those leaving prisons. The author emphasizes the hugely positive meaning of the presentation of productions created in prisons outside of them, at large, and outside the context of prison art.

Frederik Caenepeel, Geoffrey Janssens

Let $G$ be a finite group. In the first part of the paper we develop further the foundations of the youngly introduced glider representation theory. Glider representations encompass filtered modules over filtered rings and as such carry much information of $G$. Therefore the main focus is on the glider representation ring $R_d(\widetilde{G})$, which is shown to be realisable as a concrete subring of the split Grothendieck ring of the monoidal category $\text{glid}_d(G)$ of (Noetherian) glider $\mathbb{C}$-representations of (length $d$) of $G$. In the second part we investigate a Wedderburn-Malcev type decomposition of the (infinite-dimensional) $\mathbb{Q}$-algebra $\mathbb{Q}(\widetilde{G}) := \mathbb{Q} \otimes_{\mathbb{Z}}R_1(\widetilde{G})$. The main theorem obtains a $\mathbb{Q}[G^{ab}]$-module decomposition of $\mathbb{Q}(\widetilde{G})$ relating it in a precise way to $\mathbb{C}$-representation theory of subnormal subgroups in $G$. Under certain vanishing assumptions, which are proven to hold for nilpotent groups (of class $2$), the second main theorem completely describes a $\mathbb{Q}[G^{ab}]$-algebra decomposition. We end with pointing out applications on distinguishing isocategorical groups.

Dubravka Ban, Matthias Strauch

We consider the restriction to $SL_2({\mathbb Q}_p)$ of an irreducible $p$-adic unitary Banach space representation $Π$ of $GL_2({\mathbb Q}_p)$. If $Π$ is associated, via the $p$-adic local Langlands correspondence, to an absolutely irreducible 2-dimensional Galois representation $ψ$, then the restriction of $Π$ decomposes as a direct sum of $r \le 2$ irreducible representations. The main result of this paper is that $r$ is equal to the cardinality $s$ of the centralizer in $PGL_2$ of the projective Galois representation $\overlineψ$ associated to $ψ$, and the restriction is multiplicity-free, except if $ψ$ is triply-imprimitive, in which case the restriction of $Π$ is a direct sum of two equivalent representations. From this result we derive a classification of absolutely irreducible $p$-adic unitary Banach space representations of $SL_2({\mathbb Q}_p)$.

Alessandro Pontremoli

In dance, we are beginning to talk about dramaturgy from the end of the Nineties of the Twentieth Century, when Pina Bausch began to regularly make use of the collaboration of the dramaturg Raimund Hoghe. Unlike the theatrical tradition, within which the dramaturg has a role of mediator between stage and audience in the form of literary adviser of the director, the dramaturgy of dance inaugurates new processes closer to the post-dramatic theater and performance and influenced by postmodern dance studies. First, the essay investigates the effects and the feelings caused by the interaction between all the material involved in the composition of a danced performance and perceptive and cognitive ability of the spectators; secondly the essay explores the power relations that are established among the different actors of dance production (dancers, choreographers, curators, dramaturgs).

Marek Hendrykowski

The article presents a profile of Jerzy Bossak (1910–1989), an outstanding Polish filmmaker, head of the Polish Film Chronicle and the Kamera film team, and a long-time distinguished pedagogue at the Łódź Film School.

Emilio A. Lauret, Fiorela Rossi Bertone

A bivariate representation of a complex simple Lie algebra is an irreducible representation having highest weight a combination of the first two fundamental weights. For a complex classical Lie algebra, we establish an expression for the weight multiplicities of bivariate representations.

Teresa Ferrer Valls

In Spain exists a rich documentary and bibliographic patrimony about the activities of players and acting companies in the Golden Century. This essay offers an update historiographic overview and highlights the progress allowed by the new technologies and by the publishing of databases containing relevant research tools concerning the stage practice.

Katayoun Hosseinzadeh Salmasi