Hasil untuk "Fine Arts"

Hannah Hopewell, Matthew Wakelin

This design proposal extends and intensifies the powerfully present geological conditions of Te Whanganui-a-Tara–Wellington’s harbour. Originally conceived for an international design competition it contextualises the magnitude of geologic time and imagines an embodied experience of suspension, a quality of being between worlds yet in the felt immediacy of nothing but kenetic change. The design emerges from and is given meaning by Te Ātiawa pūrākau of taniwha Ngake and Whātaitai. Together these taniwha give the why and how of Pōneke Wellington’s land and seascape; they contextualise geomorphology in deep time and express the entangled alliance between mana whenua and the specificity of place, a quality defining Pōneke Wellington. With the design we touch into multiple relational intersections made possible by the forever mercurial space where the sea and the land meet, yet do so in such a way to unsettle settler colonial schemas of landscape-seascape experience.

Dennis Ioffe

This Special Issue of <i>ARTS</i> allocates considerable scholarly and analytical attention to the intricate exploration of performative traditions of experimentation within the Russian and Soviet milieus [...]

Shameem Alsalami

تتبنى هذه الدراسة مفهوم الانتقائية في نظرية هاليداي لاظهار طريقة عرض المعلومات المطروحة في العناوين الصحفية في الصحف الاجنبية وخصوصا ما يتعلق بموضوع الهجمات الاخيرة على غزة من قبل القوات الاسرائيلية في فلسطين. تسعى هذه الدراسة لاظهار طرق تمثيل الخبر في الصحف الاجنبية بما يتعلق بالصراع الفلسطيني-الاسرائيلي. المعلومات التي تم تحليلها بهذه الدراسة تم جمعها من عناوين صحيفة نيويورك تايمز المنشورة في الفترة من 13الى 17 ايار لعام 2021 وهي فترة الهجمات على غزة.

Ana Beatriz Avelino Barbosa, Cristina do Carmo Lucio Berrehil el Kattel

A dimensão social do Design para a Sustentabilidade possui algumas formas possíveis de abordagem para os diferentes públicos (SANTOS, et al, 2019), sendo que para este trabalho foi preferível a busca de soluções para mulheres em situação de vulnerabilidade social, mais especificamente para adictas de um centro de reabilitação, localizado em Maringá, no noroeste do Paraná. Com o objetivo de atuar nesse segmento social do design, decidiu-se abordar o desenvolvimento de joias, cuja aplicação é plausível devido à possibilidade de desenvolvimento com valores agregados. A escolha da joalheria é associada pela sua relevância simbólica desde os primórdios, (SALEM, 1998), com importância histórica e valorização simbólica, também como representação de status, pertencimento social, e outros tipos pertinentes a cada cultura que a utiliza (SKODA, 2012). Além desta, torna-se relevante pela necessidade do desenvolvimento sócio-ambiental e econômico, e potencial de inovação dentro da área do Design (MANZINI, 2008). Sendo que, como foi utilizado estes assuntos para um trabalho de conclusão de curso, focou-se no “Desenvolvimento de processos e técnicas para joalheria sustentável, utilizando resíduos sólidos urbanos, visando a confecção de catálogo para geração de renda de mulheres em situação de vulnerabilidade social” de maneira a propor soluções utilizando resíduos sólidos urbanos, com potencial de reciclagem, da região de Maringá-PR como matéria-prima. Inclui-se, neste projeto, a importância de repensar sobre os resíduos gerados. Isso pois o caso estudado para o trabalho, que se baseou no método de pesquisas documentais, normativas, de campo com setores envolvidos e também estudos de caso com abordagem prática e curso para comprovação de aplicação projetual com o público escolhido, revelou que os materiais que as mulheres mais possuíam familiaridade eram os que eram envolvidos em centros de reciclagem, local onde muitas trabalharam antes de serem adictas. Portanto, os dados revelaram a possibilidade de confecção de peças ser uma área de sucesso, por terem sido encontrados processos que sejam menos onerosos e que as mulheres conseguiriam desenvolver. A importância do projeto também está na inserção de pautas mundiais (ONU MULHERES, 2016), sendo que, em 2018, a ONU Mulheres criou um projeto em parceria à Movimento Mulher 360, com o objetivo de contribuir para o empoderamento econômico feminino na indústria de modo geral. Além disso, a questão da igualdade de gênero, incentivo à geração de renda e incentivo a comunidades sustentáveis e produção consciente estão presentes em alguns dos 17 Objetivos de Desenvolvimento Sustentável da ONU.

Fernanda Machado Dill, Maíra Longhinotti Felippe, Angela Favaretto et al.

A pandemia de COVID-19 impôs à população novas condições de vida, isolamento social, medidas de higiene entre outras. Assim, questiona-se que novos olhares e direcionamentos nossas cidades e projetos terão no futuro. Desenvolveu-se uma pesquisa para análise da percepção dos usuários no Brasil quanto às suas rotinas e expectativas durante o período de enclausuramento entre maio e junho de 2020. A pesquisa consistiu na elaboração de um questionário online e as 1858 respostas coletadas trouxeram reflexões sobre as mudanças que ocorreram durante este período, sobre a satisfação das pessoas com suas próprias residências, com suas cidades e seus bairros.

TCACENCO, VICTORIA, ZANTOUT, MIRA

Does the music work remain the sole property of the composer? What could have sensitized the performer to the point that he improvises his own short introduction before starting the piece, and changes the authentic nuances in some bars? Is the definition of „impromptu” giving freedom to reflect the true feeling inspiration of the performance moment? The article includes an introduction on F. Schubert, famous Austrian composer and pianist, the study of the impromptu genre defi nition and historical context. The authors have chosen interpretative versions on F. Schubert’s Impromptu no. 3, op.90 off ered by V. Horowitz, S.Richter, D.Lipatti, M.J. Pires, D. Fray, K. Buniatishvili. Besides a short description of their pianistic abilities, the authors tried to reveal the individual approach of each performer. It is important to mention an unusual treatment of this genre by D. Lipatti who added his own two bars improvised on Schubert’s text.

Inge Bobbink, Fransje Hooimeijer, Suzanne Loen

Circular Water Stories focusses on the changing circumstances of the water system and water chain, and the consequential spatial transformation. The approach highlights the vulnerable interdependency between traditional, marginalized water communities and their environments. The papers of this second Spool issue on Circular Water Stories in the Landscape Metropolis #8 investigate traditional water systems as a source of inspiration for today’s water, characterised by the concepts of too much, too little, and too dirty from two main perspectives: the people-orientated cultural perspective and the systemic spatial perspective. 

Stephen

Chek Lap Kok (Hong Kong Airport) 21.00 01.12.19, a short video by Stephen Connolly which documents a walk to Hong Kong Airport from the Expo centre on the airport island, by means of slow travel, under makeshift conditions, and without carbon expenditure. The video offers a brief exploration of the materialities and grounded infrastructures of aviation at a moment of pandemic-led change and invites us to look anew at the familiar and banal physical geography of the airport and how we move within it, drawing on Lefebvre’s Production of Space and theories of ‘Spatial Cinema’.

Gregorio Botta

AAVV

Salnikova Ekaterina V. / Сальникова Екатерина Викторовна

The article is devoted to the socio-cultural phenomenon of the television Studio and its theatrical and literary background. Partly this research can be attributed to the archeology of media, more precisely, to the archeology of modern television formats aesthetics. One of the most typical television programmes is considered - the combination of Studio conversation and broadcast screen works of different genres. The author supposes that the most important elements of Studio programs are their regularity and controllability, as well as the atmosphere of safe distance from the big world or from many virtual and real worlds. Civilized, planned communication and management of information streams is modeled in the Studio. Therefore, violations of this pattern make such a strong impression. The origins of the necessity for a Studio atmosphere are largely associated with the ancient culture and, to an even greater extent, Renaissance images and moods – the existence in the “charming corner” (locus amoenus), the search for the lost Paradise harmony, awareness of the high value of the spectator and commentator security. … In the Internet era videoblogger’s home becomes the Studio and synthesizes privacy and virtual publicity. The idea of a secure public space of communication no longer prevails, giving way to the idea of total integration of the local "place of action" into the space of infinite real and virtual worlds, which should increase the socio-cultural status of the private territory and its inhabitants. Статья посвящена социокультурному феномену телевизионной студии и его театрально-литературной предыстории. Частично данное исследование может быть отнесено к археологии медиа, точнее, к археологии эстетики современных телевизионных форматов. Рассматривается один из наиболее типичных видов телевизионного вещания — совмещение студийного действа и трансляции экранных произведений различных жанров в рамках единой программы. Автор полагает, что важнейшими элементами студийных программ являются их упорядоченность и контролируемость ведущими, а также атмосфера безопасной дистанцированности от большого мира или от множества виртуальных и реальных миров. В студии моделируется цивилизованное общение и управление информационно-образными потоками. Коммуникация рационализирована, спланирована. Поэтому столь сильное впечатление производят нарушения этого паттерна. Истоки потребности в студийной атмосфере во многом связаны с античными и, в еще большей степени, ренессансными образами и настроениями — пребыванием в «прелестном уголке» (locus amoenus), поисками утраченной райской гармонии, а также развитием индивидуализма и осознанием высокой ценности защищенности человека-зрителя и человека-комментатора. Неслучайно именно в процессе развития ренессансных форм рождается театр, в котором зритель дистанцирован от разыгрываемого представления и не может быть подвергнут никакому воздействию со стороны исполнителей. Неслучайно в трех наиболее показательных для Ренессанса сборниках новелл Чосера, Боккаччо и Маргариты Наваррской созданы своеобразные обрамления для отдельных рассказов – смоделированы ситуации многодневного рассказывания историй и их комментирования в приятном обществе. Телевизионные студийные программы унаследуют функцию безопасного для участников и зрителей, занимательного и эстетически привлекательного действа – наблюдения за большим миром и размышления о нем вслух в светском обществе собеседников. В ХХ в. комфортный, лишенный прозаических бытовых черт интерьер, разновидностью которого является телестудия, занимает место центрального образа идеального публичного пространства. В эпоху интернета комната-студия видеоблогера синтезирует в себе приватность и виртуальную публичность. Идея безопасного публичного пространства общения уже не главенствует, уступая место идее тотальной интегрированности локального «места действия» в пространство бесконечных реальных и виртуальных миров, что должно повысить социокультурный статус приватной территории и ее обитателя.

Raquel Caerols Mateo, S. Ruiz, Mónica Viñarás Abad

The long-standing conflict between research evaluation standards and the fine arts dates from the transformation of the former schools of fine arts into bachelor’s degree programs. The origin of the conflict is epistemological in nature and has consequences at both the academic and curricular level. The quality indicators for evaluating professors are the central issue of this problem still to be solved. Although current systems of evaluation cover both the production of scientific publications as part of traditional research and the artistic creation itself, academics in the fine arts note that deficiencies exist in the assessment of both these aspects.The focus of this paper is primarily on the study of the main national and international databases in the arts, in order to assess their validity as quality indicators for the scholarly output of academics.

Adriana Romeiro

Este artigo discute a tradição e a circulação dos pasquins, libelos e panfletos no contexto luso-brasileiro, entre os séculos XVII e XVIII , focalizando o papel que desempenharam na cultura política do período. Forma de expressão privilegiada das crenças e valores políticos, esses manuscritos integraram o amplo repertório das ações políticas em curso no mundo ibérico, ocupando um lugar de destaque nas revoltas e sublevações. Originárias de uma tradição medieval, tais manifestações combinavam elementos das culturas popular e erudita, explorando o humor e a paródia como recursos estilísticos mais comuns. Apresentando-se geralmente como portadores da chamada "voz comum", eles são fontes valiosas para o estudo das ideias e práticas políticas da época moderna. Palavras-chave: manuscrito; cultura; época moderna.

Dominique Poulot

N. Dawes, K. Modecki, N. Gonzales et al.

Andrés Torres Carceller

Aunque se asocie el término grisalla con pintura monocroma, también es un procedimiento de pintura policroma, con la particularidad que divide el proceso de trabajo en dos fases diferenciadas, tratando por separado la forma y el color. Pese a su actual desconocimiento, esta variante ha sido uno de los métodos predilectos de los pintores desde la Edad Media hasta el siglo XVII; manteniéndose viva hasta nuestros días. En este artículo pretendemos aclarar esta cara oculta de la grisalla, secuenciando su proceso de trabajo -y sus variantes-, exponiendo sus rasgos más significativos; constatando la transversalidad de su principio, al ser adaptado a la pintura de vitrales, ilustraciones, grabados, esmaltes e incluso la fotografía y el cine. Así como señalar su orígenes y las principales características que ha ido adoptando a lo largo del tiempo.

Chu-Chiun Wei

Joneta Witabora

Humans are social creature, therefore the need to communicate is the foundation of human nature. Communication has a variety of ways and forms, one of which is to communicate visually. Visual communication is an early form of human expression of the need to interact, and is the origin of the fine arts. The illustration is one of the disciplines that have long existence. The development of the illustration cannot be separated from human history. The world of social and cultural, science and technology has become home to the world of illustration to flourish. Article presents  the existence of illustrations, mapping the functions and the roles of illustration provide a more in-depth knowledge in the use of visual imagery.

R. Vandermause

D. Brandenberger

Patrik Steorn