I denne mastergradsavhandlingen undersøker jeg gjennom kunstnerisk utviklingsarbeid hvordan stilelementer fra norsk folkemusikk kan benyttes som utgangspunkt for å utvikle nye, pianobaserte komposisjoner. Arbeidet tar utgangspunkt i erfaringer gjort i min egen kunstneriske praksis. Avhandlingen baserer seg på to nye komposisjoner, hvor jeg tar for meg ett folkemusikalsk prinsipp i hver – asymmetrisk takt i Telebound og variabilitet i Høstslått. Disse er utgangspunktet for to casestudier som bygger på praktisk skapende arbeid, dokumentasjon av prosess, og refleksjon og analyse av de kunstneriske resultatene. Det overordnede målet har vært å finne ut hvordan disse prinsippene kan oversettes til min egen musikalske kontekst, og hvordan de har påvirket komposisjonsprosessen, produksjonen og resultatet. keywords:
Dmitry Mikhaylyuk / Дмитрий Павлович Михайлюк, Amir Kader / Амир Святославович Кадер
The aim of the research is to identify the evolutionary scenario and the specifics of the transformation of the child's image in Russian art, primarily using Soviet cinema as an example, taking into account the experience of world art development and the connection between the "Sixtiers" and the aesthetics of neorealism. The article analyzes the causes and nature of significant changes in the image of the child in 20th-century art, considering large-scale social, cultural, and ideological transformations. One of the prominent movements that shaped original perceptions of childhood was Italian neorealism, in which the image of the "orphan child" became a symbol of the tragic consequences of historical cataclysms and socio-economic crises. Soviet art, from its very inception, actively used images of young characters. For instance, the films "Kino-glaz" (1924), "The Desperate Battalion" (1933), and "Golden Honey" (1928) presented children as active participants in social life. Children were often depicted as miniature adults, actively involved in labor and patriotic processes. The article shows how, in the 1960s, Russian art, influenced by the aesthetics of neorealism, began to re-evaluate the image of the child. The "Sixtiers" paid more attention to child psychology, themes of socialization, friendship, and growing up. The relevance of studying the image of the child in contemporary art is linked to the need to support and assist children in the process of socialization. Modern cinema about children and for children not only showcases young heroes but also transmits important moral and ethical lessons to them and to society as a whole. The research results have demonstrated that realistic art, which rejects fantastical elements, offers children an experience based on real-life situations, helping them develop critical thinking and emotional perception of the world. / Цель исследования состоит в выявлении сценария эволюции и специфики трансформации образа ребенка в отечественном искусстве, преимущественно на примере советского кинематографа с учетом опыта развития мирового искусства и взаимосвязи «шестидесятников» с эстетикой неореализма. Статья анализирует причины и характер значительных изменений образа ребенка в искусстве XX века с учетом масштабных общественных, культурных и идеологических трансформаций. Одним из ярких направлений, сформировавших оригинальные представления о детстве, выступил итальянский неореализм, в котором образ «ребенка-сироты» стал символом трагических последствий исторических катаклизмов и социально-экономических кризисов. Советское искусство, начиная с первых своих шагов, активно использовало образы юных персонажей. Так фильмы «Кино-глаз» (1924), «Отчаянный батальон» (1933), «Золотой мед» (1928) представляли детей как активных участников социальной жизни. Часто дети изображались как миниатюрные взрослые, активно вовлеченные в трудовые и патриотические процессы. В статье показано, как в 1960-е годы отечественное искусство под влиянием эстетики неореализма начинает переосмысливать образ ребенка. Шестидесятники в большей мере уделяли внимание психологии ребенка, темам социализации, дружбы, взросления. Актуальность изучения образа ребенка в современном искусстве связана с необходимостью поддержки и помощи детям в процессе социализации. Современное кино о детях и для детей не только показывает юных героев, но и транслирует им и всему обществу важные уроки нравственности и морали. Результаты исследования продемонстрировали, что реалистическое искусство, отказывающееся от фантастических элементов, предлагает ребенку опыт, основанный на реальных жизненных ситуациях, помогающий развивать критическое мышление и эмоциональное восприятие мира.
In a world facing displacement, violent conflicts, climate change, and urban sprawl, urban settings are plagued by
inequality, poverty, injustice, and racial and class divisions. These divisions exacerbate violence, crime, and racism. As
urban planners, it is crucial to recognize and develop solutions for present and emerging challenges. Evaluating diverse
social activities with stakeholder participation is essential for fulfilling public interests. This study aims to identify best
practices for socially sustainable urban environments by leveraging urban diversity and social participation. By
envisioning inclusive, resilient, and socially sustainable cities, this research investigates participatory urban design
through case studies of social-diversity-focused projects worldwide. The methodology includes selecting case studies
based on criteria like geographical representation and levels of community engagement. The objective is to derive
implementable recommendations for creating inclusive, resilient, and socially sustainable urban environments by
analyzing the impact of social diversity and participation on urban resilience.
Service life of the pavement can be predicted with proper temperature estimation of the pavement structure. Asphalt mixture displays a different modulus upon temperature change due to its viscoelasticity. The purpose of this study is to estimate such a temperature. Methodology in here includes one with the solution of heat conduction theory of the asphalt, and the other one statistical method. Results show that there is not a significant difference between the results made by two different methods. As a result of the model performance, the error range between the observed value and the predicted value is within the range suggested by other studies, so it is judged that the performance of the model is good. However, the prediction accuracy in the month with the highest and lowest temperatures per year was low. It seems that follow-up actions on this part will be necessary in the future. This study is expected to be used in various ways for road management in Hungary, and it is expected to be a basic study for the construction of road meteorological information system.
The paper discusses two eighteenth-century magnates’ residences, the architecture of which functioned as a political statement, drawing on cultural codes rooted in the ancient tradition and borrowing from the model of Versailles. The palaces of Jan Klemens Branicki (1689–1771) in Białystok and of Eustachy Potocki (1720–1768) in Radzyń were built in the mid-eighteenth century. The analysis of their forms, spatial design and sculptures sheds light on their function as a ceremonial space serving political purposes. Our study focuses on the examination of the entrance gates, façade decoration and the sculptures located in the vestibules, which play a key role in the symbolic structures of the residences, as well as the gardens with their pavilions and sculptures. Together these elements constituted the Gesamtkunstwerk (total work of art) of these magnates dreaming of being elected king.
Este artigo aborda como a relação entre arte e verdade (pode a arte expressar a verdade?) é colocada
pela primeira vez no mundo ocidental em Platão, com isso se esboçando o horizonte possível de
desenvolvimento e interpretação da questão. Objetiva destacar sua relevância para o início da
discussão teórica sobre o que é arte, sua função, conceito e como pode ser entendida. Cabe observar
que esta abordagem é construída em perspectiva hermenêutico-fenomenológica, a partir do diálogo,
sobretudo, com o pensamento de Martin Heidegger.
This article details the origin and development of one of the core groups of the Central Asian (Kazakhstani) medieval architecture – i.e. domed mausoleums; also it identifies the original traits of the medieval Kazakhstani mausoleums and their major locations centres. As determined by the authors so called “dual code׳ was used as per building of medieval Central Asian mausoleums one of which corresponded to the generalized image of domed tomb as per the new ideology (Islam), and the second one matched the existing local forms and their decorative elements. Subsequently following several major compositional types of the Central Asian (Kazakhstan) mausoleums were formed and later on became standard i. e. - central, frontal, portal-domed ones. They served as the foundation for numerous architectural ‘schools’ in Kazakhstan which developed further specific building structures, their details, elements’ proportions, facades’ divisions, décor, etc. In accordance with this, the genesis and main ways of forming the mausoleums on the territory of Kazakhstan was as follows - from single-chamber (central mausoleums, ''facade'' and portal ones) compositions up to multi-chamber ones, Also compositional features & specifics of the monuments of the main regional centres were revealed in the article. Keywords: Generalized image, Memorial architecture of Kazakhstan, Medieval Central Asian-Kazakhstani mausoleum, Domed structure, Portal-domed mausoleum, Location centres of Kazakhstan medieval mausoleums
Abstract The aim of the research is developing of the CISA in FAD course. The acquired skills will enable the creative explanation, understanding of the current artistic principles and the achievement of quality creative products. The research problem is the indigence of the creative process, the mechanical combination and the intuitive reproduction of the students' plastic artists experience and the lack of creative imagination in the creative process.
DJ Oliveira faleceu em 23 de setembro de 2006, aos 72 anos de idade, quando completou 50 anos de atividade como artista plástico. Oriundo do grupo Santa Helena, de São Paulo, ajudou a fundar a escola de pintura de Goiânia, mas acabou vivendo no exílio, no interior de Luziânia. Ele ainda não foi reconhecido na dimensão dos seus méritos. Tendo os fundadores de Brasília optado pelo modernismo abstrato e tendo ele se afastado da geometria simples de seu companheiro Volpi, DJ viu-se posto de lado como se fosse um artista inferior àqueles que ficaram consagrados porque foram promovidos pelo poder. Vai chegar a hora de rever o esquema dominante, em que aparece como grande artista aquele que estava nas preferências do dono do poder, como se este fosse o dono do saber ou a corporificação do sujeito transcendental estético.
Architecture, Urban groups. The city. Urban sociology
Currently in Russia the development of church architecture poses many problems associated with the revival of the national school of monumental religious painting. The article analyzes the main features of the development of monumental decoration of church buildings. It also emphasizes importance of an integrated approach to the solution of the architectural and artistic ensemble of the cult construction. The synthesis of national religious architecture and monumental church painting is the object of research and its features аt the present stage is the subject. The goal of the article is the identification of the main tendencies of integrated approach to the religious architecture, both for Russia and the Republic of Mordovia.
The empirical material of the work is the religious architecture and monumental church painting of Russia and the Republic of Mordovia. The research is based on observation, descriptive and comparative methods of analysis. The article is based on the published research on the church art of Russia and the Republic of Mordovia.
The turn of the 21st century represents the active practice of creating a modern church decor. This is characterized by a complex multistage process of collective creativity, characterized by specific architectural environment of the building, development of the design of the decor and the means of monumental painting.
The turn of the 21st century represents a new step in the development of religious architecture and monumental painting in Russia. It makes a conclusion that at the turn of the century the use of the artistic experience of the past is the leading tendency in the development of modern monumental church painting. The necessity of achieving the synthesis of the architectural building and its monumental and decorative solution is empasized.
La avenida Presidente Perón es una de las obras de infraestructura con gran impacto en el desarrollo metropolitano de Tucumán en los últimos 20 años. Es considerada una vía de acceso troncal hacia la ciudad de Yerba Buena que permitió la expansión noroeste del AMET, modificando un suelo agrícola por urbano residencial de alto nivel social.
Actualmente se han localizado actividades complementarias al uso residencial y otras compatibles como el campus del Colegio Santa Rosa, el centro comercial Open Plaza, la universidad privada del Norte Santo Tomás de Aquino, complejos de oficinas, entre otros.
El presente trabajo tiene como objetivo describir las transformaciones producidas en el sector de análisis evidenciando cómo el sector privado representado por grandes promotores inmobiliarios, se beneficia con la obra pública generando, como denomina Cuenya, un entorno urbano exclusivo, sin precedente en el AMET de Tucumán.
Dichos cambios se verifican y cuantifican a partir del análisis sincrónico. Para ello, se trabaja mediante tres cortes espacio temporales: antes de la construcción de la avenida (principios década de los ‘90), durante las primeras intervenciones en el sector (década del 2000) y la situación actual sobre imágenes satelitales tipo Landsat y Digital Globe, procesadas en una plataforma SIG
Architecture, Urban groups. The city. Urban sociology
The paper provides a first assessment of the ELC implementation in the European context, opening a reflection on the approach of the different European cultures and of Italy. The recent landscape planning season and the current experimentations involve new analysis tools, even normally far away from ordinary urban planning practices towards bridging the only regulative approach to the construction of new transformation scenarios.
Architecture, Aesthetics of cities. City planning and beautifying
The new electrolytic pen Pleco, developed at the Haute Ecole Arc de conservation-restauration (Neuchâtel), was made in a FabLab in Nantes and tested to reduce locally lead carbonates on objects with inseparable elements. After having defined the parameters of treatment, tests were further conducted on samples in order to treat the interface between the metal and the cord of seals linked to the parchment. Lastly, the results allowed the reduction treatment on a lead seal from the Departmental archives of Loire-Atlantique (France).
The paper indicates the importance of spatial planning as a specific
instrument for the protection and management of World Heritage sites in
Serbia. The paper analyses the obligations set forth in the international and
national documents and legislation relevant for spatial planning, on the one
hand, and World Heritage protection, on the other hand. The notion, criteria,
method of zoning, systems and approaches to the management of sites inscribed
on the World Heritage List are shown through the concept of World Heritage.
The paper also emphasizes the importance of adopting management plans for all
World Heritage sites and their incorporation into the national legislation
and planning documents, primarily into the special purpose area spatial
plans. It also gives examples of special purpose spatial plans in order to
consider the treatment of World Heritage in these documents, and to make
proposals for improving the spatial planning and the existing protection and
management of the World Heritage sites in Serbia. [Projekat Ministarstva
nauke Republike Srbije, br. TR36016: Sustainable spatial development of
Danubian Serbia]
Il contributo proposto ha l’obiettivo di analizzare alcuni significativi brani del tessuto urbano della periferia est di Roma, adottando metodi interpretativi legati alla storia, alla società, alla programmazione urbanistica e alla costruzione. Gli aspetti salienti del quadrante orientale della periferia romana verranno così delineati partendo “dal di dentro”, sottolineandone i percorsi, gli spazi e i nuclei compositivi che sono all’origine della struttura e della forma stessa dei quartieri disposti a cavallo del Grande Raccordo Anulare. In questo ambito, si pone l’attenzione su alcuni episodi chiave che vedono protagoniste le nuove chiese che riescono a creare una centralità all’interno dei quartieri periferici sostituendo le biblioteche, le piazze e i centri commerciali. Analizzando da vicino questi esempi, si scopre come di recente sono state realizzate chiese firmate da architetti di fama internazionale proprio allo scopo di rafforzare, o meglio di costruire, un fattore identitario per ciascun quartiere ubicato nel settore orientale della città. Partendo quindi dal generale si arriva a indagare una chiesa e un quartiere che possono essere considerati un modello da seguire per tutta la periferia a ridosso del GRA: la chiesa giubilare di Dio Padre Misericordioso progettata da Richard Meier nel quartiere di Tor Tre Teste. La sequenzialità degli eventi che hanno contraddistinto il concorso per la progettazione della chiesa, la scelta della proposta di Richard Meier, la complessità del cantiere, l’analisi tecnica, stilistica e simbolica della realizzazione finale sono quindi analizzate nell’ambito del rapporto con il quartiere e del tentativo di realizzare (attraverso di essa) un centro di attrazione per tutta la periferia.
The article analyses some significant parts of the urban tissue at the eastern periphery of Rome, using the interpretative methods inherent to history, society, urban programming and construction. The most important aspects of the eastern quadrant of the Roman periphery are described “from the inside”, accentuating the passages, spaces and elements of composition standing in the origin of form and structure of the neighborhoods in the vicinity of Great Circular Road. The article proposes that the key episodes in this process are the new churches by internationally famous architects, created as new focal points for peripheral neighborhoods whilst replacing libraries, squares and malls. Recent realizations are seen as intention to enforce, or, better, to construct, an identity factor for each of the neighborhoods in the dicussed sector of the city. Starting from the general discourse, the article focuses on one church and one neighborhood that might be considered as models to follow in the entire periphery around GCR: the jubilee church of God the Father of Mercy designed by Richard Meier in the neighborhood of Tor Tre Teste. The sequence of events related to the architectural competition for the church, the choice of proposal by Richard Meier, the complexity of construction as well as the technical, stylistic and symbolical analysis of the building are put in relation to the neighborhood, and finally read as an attempt to create centre of attention for the entire periphery.
<p class="MsoNormal" style="text-align: justify; margin: 0cm -18pt 0pt;"><span style="font-size: small;"><strong style="mso-bidi-font-weight: normal;"><span style="font-family: ";Times New Roman";,";serif";;" lang="EN-US">Abstract (E)</span></strong><span style="font-family: ";Times New Roman";,";serif";;" lang="EN-US">: Critics have tended to conceive of the postcolonial condition too narrowly (in historical and geographical range) and too broadly (in temporal duration). These limitations become salient when we consider Japan from 1945-1952. Of course, Japanese responses to the American occupation were not uniform. To isolate one important strain of that response, this essay explores the cultural ethics of Ozu’s <em style="mso-bidi-font-style: normal;">Late Spring</em> (1949). Ozu does not affirm “tradition,” “modernization,” or “hybridity” as such. Rather, he affirms the value of one or the other only insofar as it bears on our attachment relations with those who are vulnerable, whatever their identity category.</span></span></p><p class="MsoNormal" style="text-align: justify; margin: 0cm -18pt 0pt;"><span style="font-family: ";Times New Roman";,";serif";;" lang="EN-US"><span style="font-size: small;"> </span></span></p><p class="MsoNormal" style="text-align: justify; margin: 0cm -18pt 10pt;"><span style="font-size: small;"><strong style="mso-bidi-font-weight: normal;"><span style="font-family: ";Times New Roman";,";serif";; mso-ansi-language: FR;" lang="FR">Abstract (F)</span></strong><span style="font-family: ";Times New Roman";,";serif";; mso-ansi-language: FR;" lang="FR">: Les critiques ont souvent eu tendance à définir la notion de condition postcoloniale de manière à la fois trop étroite (en termes historiques et géographiques) et trop large (en termes de durée). Ces problèmes deviennent tout à fait visibles quand on considère le cas du Japon des années 1945-1952. Bien entendu, les réponses japonaises à l’occupation américaine étaient tout sauf uniformes, mais un aspect important de cette réponse peut être reconstruite à travers l’analyse de l’éthique culturelle d’un film d’Ozu, <em style="mso-bidi-font-style: normal;">Printemps tardif</em> (1949). Ozu n’affiche pas les notions de « tradition », « modernisation », ou « hybridité » comme telles, il n’en affiche la valeur qu’à travers la manière dont ces notions influent sur nos rapports avec ceux qui sont vulnérables, quelle que soit leur identité.</span></span></p>
Giovana Schuelter, Christianne Coelho de Souza Reinisch
This paper, based on a literature review, aims at presenting a set of techniques and tools of knowledge management, supported by information technologies and communication, which can be used to improve the development of distance education projects. The topics presented here include knowledge management, definitions and processes, and distance education that address the design of systems, their characteristics and processes of project development. As results, there are some studied techniques and tools in order to explain the procedure of each one, so options for implementing the techniques on distance education systems can be found as research
El gusto por lo pintoresco, cuyos principios fueron definidos en la segunda mitad del siglo XVIII, ha dado lugar, en arquitectura, al gusto por la irregularidad. La irregularidad pintoresca comenzó representando la libertad natural. Después, enfrentada al orden clasicista, se consideró una condición de la arquitectura funcional. El orden y la regularidad, en consecuencia, fueron perdiendo el poder que tuvieron en otros momentos de la historia para representar el orden natural de las cosas.