Hasil untuk "Drama"

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Anja Louis

Police dramas are one of the most important genres on television, both to represent social issues and reflect ideological changes. Spanish crime dramas peaked in the 2000s and boasted huge, home-grown success stories, achieving higher ratings than US imports. However, after the economic crisis in 2008 and subsequent cuts to television budgets, Spain’s TV producers had to seek international opportunities. Creating a virtue out of necessity, an increasing number of drama producers were going global and beginning to reap the rewards of international ventures. One such venture is 'Los misterios de Laura/The Mysteries of Laura' (2009–14), a wonderfully light-hearted crime comedy about Police Inspector Laura Lebrel, a divorced mother of twins with a chaotic personal and professional life. This article examines the Televisión española and the American NBC productions 'Los misterios de Laura' and 'The Mysteries of Laura', respectively, in order to explore the dis/continuities of this transnational success formula, focusing on three key issues: female police officers, office politics, and working mothers. Central to my discussion will be the significance of humour in the workplace as a meaning-making cultural practice. I use humour theories from TV and Critical Management studies to ascertain the main and sometimes subtle differences in the representations of a working mother’s life.

Matti Linnavuori

Paola Marín, Gastón Alzate

Embora existam inúmeras e valiosas manifestações da relação entre memória, arte e violência na Colômbia hoje, aqui nos concentramos em duas práticas que ganharam notoriedade por sua relação com os Acordos de Paz de 2016. Por um lado, as Cantadoras de Pogue, que modificam um ritual afro-descendente e uma tradição musical de caráter funerário para se opor à necropolítica dominante em seu território, principalmente a partir de 2002, quando em uma cidade próxima - Bellavista, Bojayá - um dos maiores massacres de civis na história recente do País; e, por outro lado, o “contra-monumento” em celebração aos Acordos de Paz da reconhecida artista Doris Salcedo, que convidou mulheres vítimas de violência a moldá-lo. Analisaremos como ambas as práticas incorporam a necessidade de enfrentar tanto a necropolítica dominante na Colômbia quanto suas narrativas hegemônicas na esfera pública.

Isabelle St-Amand

Gabriel Torelly, Paola Zordan

Mata Virgem Brasílica Language: a perspectivism of transverse knowledge – A discursive recurrences set around problem of American exteriority, evinces power lines of an imagery and a language that constitute colonials dispositive. As methodological strategy, it signs the modes by which image of Immaculate Conception is given in a figurative fulguration, breaking empirical historical status to entice the transversality of a perspectivist appreciation. Such a course comes together with the thinking of Gilles Deleuze and Félix Guattari and the animist perspectives studied by Eduardo Viveiros de Castro in order to discuss the anthropological tensions of what in our poetics we call iconoclastic idolatry.

Autores Secuencias

Secuencias

M. Marías

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Adela Gjata

The study aims to reconstruct Renato Simoni’s stage directing investigated through the analysis of the outdoor Goldonian performances set up for the Festival of Venice in the years 1936-1947. These exceptional events employed top level dramatic artists. Simoni was one of the first directors who responsibly exercises his professional function, a profession that struggled to settle in the national theater system. His directing, built on an idea centred on the text, according to Silvio d’Amico’s teaching, is based on a very accurate playwriting, that aims to revalue the Italian drama in its best acting tradition. Simoni never reached a tradition-breaking linguistic innovation, but achieved the connection between the word and the image, that will be a cornerstone of the critical stage directing after World War II.

Roland Lysell

The article criticises an Ibsen tradition who has seen the last scene of Little Eyolf as a reconciliation. Instead, the article discusses the improbability of a happy marriage characterised by social engagement. The play is open but it is hardly probable that Rita, with her erotic desire, and Allmers, whose desire has turned into metaphysics, can be happy together. The arguments refer to inner criteria and the constantly present dramatic tradition.

Lúcia Ramos Monteiro

Artigo sobre a exposição <em>Pasolini Roma</em>, Cinémathèque Française (Paris, França), 16 de outubro de 2013 a 26 de janeiro de 2014<em>.</em>

Spyros Mavridis

El artículo explora las convergencias entre el teatro de la crueldad de Antonin Artaud y la búsqueda paralela de Roberto Arlt en el caso concreto de su obra La isla desierta. Se apuntan las influencias rastreables en esta pieza y se señala su inspiración como originada en el símil de la caverna de Platón. Asimismo, se realiza una síntesis de estos dos proyectos teatrales, donde se exponen las afinidades, como también las diferencias entre las dos versiones de la crueldad.

Federica Fratagnoli (Université de Nice Sophia Antipolis, Nice, France)

Prenant comme point de départ l’expérience des artistes de la diaspora indienne en Angleterre, l’article propose de repenser le rôle et la signification du terme hybride dans le champ de la danse et de la création contemporaine. Appliqué sans distinction à toute sorte de création artistique à caractère multiculturel, ce terme véhicule une pluralité de sens parfois contradictoires. Le recours à des notions de biologie contemporaine fournira les outils théoriques nécessaires à une analyse des processus de création hybrides, permettant une lecture diversifiée d’expériences souvent perçues comme homogènes.

José Raúl Oubiña

Isaías Molina-Jácome

Este artículo analiza la violencia urbana que se expone en la prensa popular, desde la teoría de la construcción noticiosa, con el fin de comprender cómo se construye la violencia urbana en los medios impresos. Para ello escogió el periódico Al Día, de la ciudad de Barranquilla, Colombia, en un corte que va desde mayo de 2007 hasta abril de 2008.La naturaleza de la investigación fue de tipo descriptiva, la técnica usada fue el análisis de contenidos y la metodología, cuali-cuantitativa. El diseño fue transaccional, no experimental y la muestra seleccionada no probabilística.Los objetivos específicos fueron: establecer los principales rasgos que caracterizan la agenda, cómo se construye la violencia urbana, cuáles son los lugares donde ocurren los hechos violentos y las características del contenido de los mensajes de la fotografía de la prensa popular.La investigación concluyó con una descripción de la violencia urbana basada en encuadres de enfrentamiento e interés humano, con una violencia física o corporal, de género masculino, con una ocupación que no aparece registrada y unos lugares violentos que pertenecen al suroccidente y suroriente de la ciudad. Además, con una noticia (texto y fotografía) de baja calidad informativa que usa la violencia para atrapar al lector sin tener en cuenta el drama que arrastra.

Maristela Kirst de Lima Girola

Este ensaio tem como objetivo discutir a construção das personagens em Esperando Godot, de Samuel Beckett, apoiando-se nos estudos de Martin Esslin sobre o Teatro do Absurdo, uma forma de drama que enfatiza o absurdo da existência humana, empregando fragmentação, repetição e ininteligibilidade, como reação artística à Segunda Guerra Mundial.

Vanesa Alonso Aldavero

S. Lyman, M. Scott

Xiaomei Chen

J. Harris