Hasil untuk "Journalism. The periodical press, etc."

Alena Podviazkina

Данило Крюков

Об’єктом дослідження є цифрова трансформація у зовнішніх корпоративних комунікаціях – процес, що змінює способи взаємодії організацій зі стейкхолдерами та формування довіри в цифрову добу. Актуальність теми зумовлена тим, що цифрові інструменти відкривають нові канали взаємодії, але водночас вимагають переосмислення теоретичних основ, оцінки рівня цифрової зрілості та створення інтегрованих моделей для стратегічного управління комунікаціями, особливо в умовах швидких соціально-технологічних змін. Метою дослідження є синтез класичних і сучасних підходів у сфері комунікацій та розробка на основі отриманих висновків моделі, що дозволяє оцінювати цифрову зрілість і виявляти міждисциплінарні зв’язки трансформацій. Методи дослідження включають аналіз і синтез наукових джерел, порівняння класичних і новітніх підходів, а також моделювання та абстрагування для побудови концептуальних рамок. Основні висновки полягають у тому, що сформульовано дві моделі цифрової трансформації у зовнішніх комунікаціях. Перша – External Corporate Communication Maturity Model (ECCMM), п’ятирівнева модель цифрової зрілості, яка описує поступовий розвиток від базових до інноваційних практик. Друга – TOC-модель (Technical, Organizational, Communicational), що пояснює взаємодію технологічних, організаційних і комунікаційних чинників та пропонує набір індикаторів для подальших емпіричних досліджень. Запропоновані підходи створюють підґрунтя як для стандартизації наукових досліджень цифрової трансформації, так і для практичного оцінювання рівня цифрової зрілості корпоративних комунікацій у різних контекстах, зокрема в українському

A. Harutyunyan

Key words: French-Armenian art, sculpture, sculpture bust, coverage, source, cultural journalism Hakob Gurdjian is regarded as one of the greatest Armenian sculptors, whose work elevated modern Armenian sculpture to a European level. Among Gurdjian’s works are portraits of many famous personalities: pianist Issay Dobrowen, writer Maxim Gorky, opera singer Feodor Chaliapin, composer Sergei Rachmaninoff, actress Henrietta Pascar, etc. In addition to portraits, Gurdjian also worked on narrative sculpture. The most significant are "Pieta", "Victory", "Salome". Hakob Gurdjian left a rich legacy – at least five hundred works (sculptures and sketches) are stored in various museums around the world (e.g. four hundred of them are in Armenia). The periodical press is a decentralized source for the study of art, the observation and examination of which can only provide greater material. Art analyses, scientific articles, of course, are fundamentally important, but the press covers regularly, does not miss an event, provides exclusive information. The press is a mirror reflection of everyday events: and cultural events are never left out of these processes. Taking all this into account, we aimed in this article to highlight mentions of Hakob Gurdjian’s work in periodicals of Armenia, Russia, France, the United States, and Spain, focusing on aspects of his creative life.

N. Zhilyakova, V. A. Morev

Various aspects of pre-revolutionary journalism in Russian regions have been considered by such researchers as A.P. Shinkareva, N.V. Zhilyakova, V.A. Esipova, V.V. Shevtsov, E.I. Orlova, and others. Periodicals have paid much attention to the issue of assessing the interaction and mutual influence of journalism and the postal and telegraph service of the Russian Empire. The works of historians investigating communication problems in Siberia also often include local periodicals as sources of empirical material (for example, the works of O.N. Razumov, Ya.A. Yakovlev, Yu.K. Rassamakhin, V.V. Mirkin, V.A. Morev, etc.). In this case, researchers are usually not interested in the specifics of the coverage of the topic by journalists, and the actual data that was published in the periodicals. The purpose of this study is to identify the main problem-thematic blocks related to the coverage of the work of the post and telegraph in the periodical press of the Tomsk province, and to determine the specifics of their presentation on the pages of leading Tomsk newspapers. Research material: the first private newspaper in Tomsk, “Sibirskaya Gazeta” (1881–1888) and the first Tomsk illustrated newspaper, “Tomsky Listok” (1895–1896). Research methods: frontal analysis of the annual files of these newspapers, problem-thematic, genre, historical and typological analysis. The authors came to the following conclusions. The increased attention to postal and telegraphic communications in Siberia, which was shown by local journalism, was due to the direct dependence of the newspaper and magazine business on the uninterrupted operation of the post office and the existence of constant telegraphic communication between Russian cities. The analysis of newspaper publications allows us to identify such problem-themed blocks: subscription and delivery of periodicals; the internal life of the post office; the development of telegraphic communications. The specific features of the presentation of information about the post and telegraph in Siberia were: 1) the involvement of not only regular newspaper staff, but also freelance correspondents in covering the issue; 2) combining both factual and emotionally colored materials covering events related to the postal service, as well as the use of statistical data; 3) presentation of information in the format of detailed plots formed on the basis of publication in several issues of materials on the same topic, covering it from different angles.

E. Shashkova

In the domestic pre-revolutionary periodical press, starting from the end of the 18th century, a rather ramifi ed system of assistance to various segments of the population (children, the sick, the poor, people in diffi cult life situations, refugees, soldiers, etc.) was formed, including state, church and public participation. During the Russo-Japanese War and the First World War, the periodicals of the Russian Red Cross Society and its regional branches were active. The experience of pre-revolutionary publications can be relevant for modern domestic media performing social functions in areas of natural disasters, humanitarian catastrophes. This determines the relevance of the study. The object is Omsk pre-revolutionary “participatory journalism”. The subject is its thematic, genre and typological originality. The purpose of the study is to identify the typological, substantive and genre features of the “participatory journalism” of pre-revolutionary Omsk. To achieve the goal, it is necessary to solve the research problems: to study the history of the formation of the charity system in tsarist Russia; to identify the transformation of domestic philanthropic activity from the personal participation of each caring person to its inclusion in the system of state policy; to determine the typology of publications of a charitable nature in tsarist Russia; to get acquainted with the history of charitable societies of pre-revolutionary Siberia and their periodicals; in the course of the content analysis of government, religious, socio-political publications to identify the thematic originality of media texts of a charitable nature; in the course of genre analysis to identify the dominant genres of “participatory journalism”. Empirical material - issues of the newspapers “Akmola Regional News”, “Omsk Diocesan News”, “Omsk Herald”, “White fl ower”. Additional empirical material was provided by pre-revolutionary publications of a charitable nature, as well as Siberian pre-revolutionary publications (“Voice of Siberia”, “Ob’ life”, “Life in Siberia”, “Siberian leaf”, “Siberian Herald of Help to Warriors in War”). The chronological framework of the study is 1871–1917. The study has undoubted prospects: an analysis of the ideological and worldview foundations of the process of charity in the country at its various stages will expand the understanding of the ways and features of the formation of Russian political culture.

Tumakov Denis V.

The Chechen issue’s treatment by the electoral bloc and Yabloko between 1994 and 1996 is exam-ined in this article. The author examines the journalism of the leader of the association, G.A. Yavlinsky, and analyzes his interviews for the central periodical press, as well as public appear-ances by other well-known deputies of the Federation Council and the State Duma of Russia from Yabloko – V.L. Sheinis, Yu.P. Shchekochikhin, V.V. Borshchev and E.B. Mizulina. The article explores the association’s views on the Chechen conflict in the context of the 1995 and 1996 elec-tions. It is concluded that in 1994-1996 Yabloko consistently held a moderate anti-war position. The article also provides the position of some regional branches of Yabloko. The association con-demned the military operation as a way to solve the crisis in the North Caucasus or the problem of terrorism, but did not question the territorial unity of the country, criticized the Chechen militants for terrorist acts in Budennovsk and Kizlyar, etc. and they considered the dead Russian military to be victims of tragic circumstances. The decline of the authority of the democratic forces and the intractability of G.A. Yavlinsky himself led to the fact that Yabloko failed to become the leader of a powerful anti-war movement.

Zuzana Kvetanová, Veronika Cepková

The conversion of the media sphere in recent years has been defined, among other things, by the apparent transformation of the formal and content structure of news genres in the press. Opinion-forming periodicals, whose primary principles should be factuality, objectivity, and characteristic logic and conceptual approaches, are forced to adapt to new media trends, such as bulvarization. For this reason, there is a need for a detailed examination of the phenomena of bulvarization in the news genres of serious periodicals with the aim of updating and reevaluating the findings to date on this issue. This scientific study therefore focuses on identifying bulvarization elements present in opinion-forming press, respectively in news journalism. Specifically, this involves reflecting on the thematic (content) focus of individual journalistic texts with regard to specific bulvarization characteristics (narrativity, emotionality, dramatization, simplification, etc.) in connection with the discussed issue of bulvarization in the selected research material – extended news from selected opinion-forming periodicals (the daily newspapers Pravda and SME). The theoretical basis of the presented study further defines key concepts, such as the medium – the press, news genres, or the phenomenon of bulvarization. Mapping and detailing the signs of bulvarization in news articles from opinion-forming periodicals is the focus of the following case study. Similarly, in the context of the issue of bulvarization tendencies in today’s journalistic practice, we consider that the authors of individual linguistic expressions largely use elements of narrativity and dramatization, simplification/trivialization of topics, thereby pointing to current trends and the state of journalistic practice in the Slovak media environment. In the order to confirm this assumption, we apply qualitative content analysis and appropriate logical-conceptual procedures. The aim of this study is to expand scientific knowledge in the field of media studies relating to issues of bulvarization in opinion-forming periodicals in the form of theoretical-empirical reflection.

Dali Osepashvili

At the beginning of the 20th century, some Polish artists who lived in Georgia, collaborated with Georgian print media – newspapers and magazines and they published graphics, portraits, cartoons, documentary sketches like reportage style, drawings with headlines, etc. The goal of this interdisciplinary research paper is to study the Polish painters’ works in the Georgian periodical issues. This research paper is an attempt to study the role of Polish artists in the decoration of magazines and newspapers of this period. Polish artists published graphics, portraits, cartoons, social-political satirical drawings with headlines, etc. During this time, there were very few illustrations and decorations in the Georgian print media. Accordingly, polish painters were one of the first along with other Georgian artists. This is the period when the Georgian press begins to publish drawings and documentary sketches for the purpose to visualize magazines and newspapers. Thus, the relevance and novelty of this work are beyond doubt, as no one has examined the Georgian media of the 1910s–1920s from this perspective. Therefore, it is important to study the issue not only from the point of view of the history of Georgian journalism, but also from the point of view of studying the Polish cultural heritage and Georgian-Polish relations. These Polish artists were: Henryk Hryniewski, Zygmunt Waliszewski, Brothers Zdanevichs. They are often referred to as “Georgian Poles”. The study, which was prepared with a grant from the Mieroszewski Research Center, was conducted in Poland as well as in Georgian Libraries. According to the results of this study the life and work of Polish artists working in Georgian media is a clear proof of the crossing of cultures and civilizations. They are part of both Georgian and Polish culture, and as a whole, they create European culture and spiritual values.

V. Kirzhaeva

One of the activities of Russian philosopher and pedagogue Sergei Gessen (Hessen) was co-operation with pedagogical journals of the Russian emigration. The article examines the relationship between Gessen and the journal Russkaya Shkola [Russian School] in the Russian émigré pedagogical journalism historical contexts in the 1930s. Gessen actively published his works in émigré (Sovremennye Zapiski, Vestnik Samoobrazovanie, etc.) and foreign pedagogical periodicals (Die Erziehung, Ruch Pedagogiczny, etc.). The central for his pedagogical and philosophical journalism was the Russian School Abroad journal. Having gained a reputation as one of the leading educators of Russia abroad after publication of his Fundamentals of Pedagogy in Berlin in 1923, Gessen headed this journal and turned it into a centre of serious pedagogical and methodological work since 1924. He managed to use it as a tool for coordination of pedagogical community and institutions of educational activities in the Diaspora. The world economic crisis led to a sharp deterioration of the situation with Russian journals, including pedagogical ones. In 1931 Russian School Abroad was closed due to the lack of funding. In these circumstances a significant event was the publication of the journal Russkaya Shkola in Prague in 1934. Its editor A.T. Pavlov attracted the best intellectual forces of the emigration (N.A. Hans, V.V. Zenkovsky, G.Y. Troshin, and others), as well as Czech educators. In fact, Gessen became the coordinator and ideologist of the journal work. He touched upon the most important problems of the modern school, analyzed the state of the Soviet school and education theory, assessed the trends in the development of European education in his articles “Worldview and Education”, “The Problem of the Unified School”, “School and Economy”, “The Last Phase of Soviet Pedagogy”, etc. He also worked with the genres of review and survey of pedagogical literature traditional for him. The author stresses that the ideas of the scholar’s main theoretical publications were close to his articles in Sovremennye Zapiski and Novy Grad, as well as in the Czech, Polish and German pedagogical press. Collaboration with Russkaya Shkola was an important part of Gessen’s scientific, pedagogical and journalistic activities in the 1930s. However, the scholar did not confine himself within the pedagogical space of emigration, and the journal became an expert platform where he presented his ideas and projects and outlined the prospects for the development of European education. After the Second World War, a number of articles from Russkaya Shkola were published in Gessen’s Polish book The Structure and Content of the Modern School. Essays on General Didactics (1947).

I. Kanel

Context and relevance. The article explores the role of the Italian press during the Risorgimento period and emphasizes its influence on social, political and cultural changes in the country. Objective. To investigate how Risorgimento journalism reflects changes in Italian society and contributes to the formation of a national identity. Hypothesis. The Italian press not only reported on the Risorgimento events, but also played an active role in shaping ideological and political currents, contributing to the society’s consolidation around the idea of national unity. Methods and materials. The research is based on an analysis of the historical background and key events that took place during the Risorgimento. It studies the evolution of democratic and moderate movements, as well as their influence on the press at the time. The materials used include data from periodicals such as Gazzetta Italiana, Rivista Europea, Politecnico, as well as quotes and opinions from prominent political figures like Giuseppe Mazzini, Camillo Cavour, Massimo D'Azeglio etc. Descriptive and comparative analysis is used to identify the characteristics of different areas of journalism and their significance in public life during this period. Results. The study revealed that Risorgimento journalism was a multifaceted phenomenon reflecting the opposition of ideological and political trends. The democratic movement, led by Mazzini, actively used the press to promote revolutionary ideas. The moderate movement represented by Cavour advocated reforms and a constitutional monarchy, also actively using the printed word. The role of literature and art, closely related to journalism, in the formation of national identity is shown. International relations and the influence of Risorgimento on European journalism are revealed. Conclusions. Risorgimento journalism has become an integral part of the Italian unification process, being a mirror of social change and a powerful tool for shaping national identity.

А.Т. Бельдибекова

Журналистикада трансмедиа деп аталатын ұғым бар. Жалпы трансмедиа әр түрлі бұқаралық ақпарат құралдарындағы ақпаратты баяндауға қатысады. Мультимедиадан айырмашылығы – барлық бұқаралық ақпарат құралдары өзара байланыста болады. Мәселен, роман сюжетінің шағын өзгерістерімен фильмге бейімдеу немесе повестің бірінші бөлігін телевизиялық шоу, екінші бөлігін фильм, үшінші бөлігін бейне ойын арқылы баяндау мүмікіндігін тек трансмедиа технологиясы жасай алады. Жалпы әлемде көркем әдебиеттің ажырамас элементтерін таратудың әртүрлі тұстары қалыптасқан. Трансмедиалық ақпарат дегеніміз әлемге ел туралы құнды мәліметтер беретін тұжырым жүйесі. Ондағы ақпарат негізі тарихпен және көптеген мәтіндермен байланысты. Баяндау құрылымы тарихи деректерге толы болады және мәтіндер мен аудио, бейне, қаріптер, сурет, инфографика және т.б. маңызды компонент болып табылады. Әр мәтін өз бетінше әңгіме жасай алады, әлемнің тарихын толығырақ баяндайды. Бір-бірінен тәуелсіз барлық элементтерді біріктіргенде, әрбір элемент негізгі тарихқа өз үлесін қосады. Сол үшін де трансмедианың тиімділігі сторителлинг әдісімен тікелей байланысты. Ғылыми мақаланың мақсаты мен негізгі бағыты онлайн-медиадағы жаңа мультимедиалық жанрлардың қалыптасу процесінің ерекшеліктерін зерттей отырып, қазіргі таңдағы жанрлардың түрленіп, басқа формаларда берілу тәсілдерінің ерекшеліктеріне тоқталу болды. Мақаланың ғылыми және практикалық маңызы қазақ журналистикасында орын алып келе жатқан жаңа тенденцияларды сөз ете отырып, лонгрид, строителлинг, қысқа бейнежазба секілді жаңадан енген терминдік жанрлардың қазақтілді БАҚ мониторингін жасауға әрекеттену. Ғылыми-зерттеу барысында салыстырмалы талдау әдісін пайдалана отырып,  негізгі нәтиже мен талдау олардың ерекше сипаттамалары мен даму динамикасының тенденцияларын қарастыру болып табылды  Malim.kz, Массагет.kz, Balbal.kz секілді сайттарда жарияланған материалдарға талдау жасай отырып, қазіргі таңдағы сұранысты өтеп отырған сторителлинг, лонгрид секілді жанрлардың жаңа үрдісінің табиғатын ашуға тырыстық. Жоғарыда аталған жанрлардағы материалдарға мазмұндық талдау жасай отырып, біз олардың өзіндік ерекшеліктерін бөліп көрсете алдық. Ғылыми зерттеудің бүгінгі таңдағы маңыздылығы жалпы мультимедиалық журналистика материалдарын ұсынудың жаңа форматтарының бәсекеге қабілеттілік критерийлері мен үрдістерін негіз етіп қарастыруында болды.

Miao Guo

This study investigates news audiences’ platform preferences, usage patterns, and factors affecting their mobile news consumption through news apps. Four explanatory factors, news app users’ demographics, news media usage, perceptions, and motivations, are proposed to predict adoption intention. By surveying 698 mobile news app users in the US, this study’s findings indicate that user perceptions of news apps (i.e., perceived ease of use, compatibility, relative content advantage, and observability) and instrumental motivations of news consumption (i.e., information-seeking and opinion needs) best predict news consumers’ willingness to continue using mobile news apps. Theoretical and practical implications are discussed to offer new insights into mobile news audience behavior and inform current digital publishers on cross-media strategies in the highly competitive mobile news market.

Felicidad González Sanz, Javier Figuero Espadas

El cine ha incorporado en sus historias el oficio del periodismo ya que, por la naturaleza de la profesión, permite introducir narraciones con un alto grado de interés. En el imaginario colectivo los periodistas se posicionan como el cuarto poder y tienen una responsabilidad social. En los comienzos del cine y hasta los años 90, aproximadamente, las mujeres -frente a sus compañeros masculinos- ocupaban un rol secundario, en papeles estereotipados que las mostraban como profesionales frías, implacables, dispuestas a todo para conseguir la noticia en detrimento de su vida personal. Aparecen masculinizadas y sexualizadas. Empleando una triangulación metodológica que aplica las técnicas del análisis descriptivo, el análisis fílmico y la entrevista en profundidad se estudia el largometraje El reino, de Rodrigo Sorogoyen, para determinar cómo se representa la figura de la periodista en él. Tras el estudio de los resultados se observa que las periodistas en activo, en la actualidad, no se ven representadas por la visión de su profesión que ofrece El reino ni el cine en general. Esto se debe a que se siguen perpetuando ciertos estereotipos con los que se muestra en la gran pantalla el rol de la mujer periodista.

Elena S. Sonina

Fake (false) news today has a global scale. Unfortunately, this fact confi rms the relevance of this study. The word fake is constantly found in modern media, but earlier phraseological units of deception were more common. The article examines the genesis of phraseological units of journalistic deception in the domestic pre-revolutionary press. The author reviewed about 40 periodicals of the Russian Empire, dictionaries, fi ction and ego-documents. The purpose of the study is to form a picture of hostility towards journalistic deception, phraseologically fi xed at the verbal and visual level of Russian periodicals of the 19th – early 20th centuries. Among the many European and domestic studies of phraseological units of journalistic lies, scientists paid almost no attention to the visual context. This article partially fi lls this gap. Illustrated publications of the 1860s–1880s were especially carefully reviewed to identify early visual images associated with phraseological units of journalistic lies. The research is based on the principles of historicism and systematicity; the methodology of the history of concepts and the history of images was used. During a continuous and selective review of Russian pre-revolutionary periodicals, 38 verbal examples of the use of phraseological units of journalistic deception and 69 visual examples were identifi ed. The most common are the word pouf and the phraseological unit newspaper hoax, much less often magazine hoax, literary hoax, political hoax, etc. The word pouf in the context of deception appeared in Russian journalism from the late 1830s and began to be widely used in the 1840s. The phraseological unit newspaper hoax entered the Russian language in the late 1850s, since the 1860s it had become understandable to most readers and was actively used by the domestic press throughout the pre-revolutionary period. Among the most desirable prospects for this research should be the identifi cation of phraseological units of journalistic deception in Russian periodicals of the early twentieth century. In this case, special attention should be paid to the poorly studied visual area. Keywords: Russian pre-revolutionary journalism, phraseology, journalistic deception, fake, pouf, newspaper hoax

A. Trudzik

“Music Magazine” 1980–1991. Evolution, structure, general topics, content bibliographies This book is the first part of a research and scientific reflection on “Magazyn Muzyczny”, i.e. one of the two most well-known, popular and appreciated by readers magazines promoting popular, youth music, especially rock and its varieties in the times of the People’s Republic of Poland (the other was “Non Stop”). At the same time, this is only the monograph of a music periodical in Polish press studies – the first one (the second volume) concerned “Tylko Rock” (Only Rock) published in 1991–2002, i.e. already in the times of political transformation and the Third Republic of Poland. This sequence (selection of magazines) was not accidental, as there are many similarities between the two, and even the monthly founded by Wiesław Królikowski and Wiesław Weiss is colloquially referred to as the successor to “Magazyn Muzyczny”, on whose editorial board they both sat, with Królikowski being the author of the greatest number of articles in its entire history. While mentioning press connections, it should be noted that the “Magazyn Muzyczny” also had a (formal and real) predecessor, i.e. “Jazz”, established in 1956, which was the first magazine in Poland and Central and Eastern Europe to promote popular music (initially, according to its name, syncopated, and later rock music). As stated in the first sentence, this study is not yet a complete, comprehensive account of the history of the eponymous periodical, as the aspect of analysing strictly musical content remains in development, being the canvass of a second book, which should also appear in print in the near future. Returning to the essence of this dissertation, it should be emphasised that it took on a complex, two-faceted form, i.e. its first part was filled with a classical (descriptive) media studies reconstruction of the magazine’s history (of course without the content, for which volume II was intended ex hypotesi), while the second part was a source bibliography of the magazine’s content, as an autonomous structural element, necessary for a holistic analysis of the magazine, but also coherent with the entire research. It was formed by 5 annexes, which gathered statistical data on the most important aspects of the monthly magazine: 1) Sections, columns, regular places; 2) visual communication (and advertising); 3) genology; 4) authors of texts; 5) artists. In turn, the main part was divided into three Chapters, within which there were additionally Sub-Chapters (also 3 in each), in order to make the whole argument transparent, clear and internally coherent, but this was also an effect of the specificity of the subject matter in question. According to the author’s findings, the periodical underwent changes, modifications, transformations, which took place in 3 consecutive phases. The first chapter was of a theoretical and historical nature, but at least to some extent it was also intended to serve as an introduction to the rest of the dissertation, which was already a concrete analysis of the periodical. The clue of the first subchapter was the reconstruction of the general situation in which the monthly, and more broadly the press, existed in the People’s Republic of Poland, the transformation and the beginnings of the Third Republic, including the aspect of the political system, the legal environment, the media market, relations between the authorities and society, etc. Not only, but especially during the communist regime, were these factors affecting the magazine, but also the period of transition from socialism to capitalism was unfavourable for “Magazyn Muzyczny”, as the result of reforms and the introduction of capitalism was, in its case, liquidation after 12 years of existence (and 35 with “Jazz”). In the second subsection, attention was focused directly on the music press segment (jazz, rock, pop, etc.), that is, the area of Journalism and Music Media, a young but developing sub-discipline. Finally, the third was, on the one hand, a summary of the historical considerations of Chapter I and, on the other hand, a link to the press studies of the monthly magazine. The structural structuring of Chapter II into 3 Subchapters followed the stages distinguished in its history: 1) No longer “Jazz” – not yet “Music Magazine” (1980–1982); 2) In search of an optimal formula (1983–1987); 3) The end of the People’s Republic of Poland, transformation and closure of the magazine (1988–1991). In each of them, the magazine was examined in several aspects, especially structural changes, the editorial team and contributors, the genology, style and language of the journalists, and outlining the background of the subject matter that prevailed in the given period, with the analysis focusing on a part of the material (i.e. columnists, introductory articles, polemics, etc., excluding texts typical of music journalism, e.g. articles, reviews, concert reports, etc.). In the journalistic and so-called In the journalistic and so-called music journalism, a lot of space was occupied by the issues of music education among children and young people, the condition (not very good) of Polish phonography and music life (jazz, rock), salaries and status of musicians, but also one’s own views on the state of popular music in Poland (clearly critical), or one’s attitude (individual) to the state policy in relation to culture and art (there was no shortage of politicised, or “going against” propaganda, party and communist indoctrination, at least in the second and third phases. There were also issues of so-called listomania, i.e. various summaries, compilations, etc., as well as technical innovations in the field of audio-video, and it was also possible for fans (readers) to have their say, e.g. in matters of the magazine, music, by posting and commenting on their letters. The last chapter served the function of integrating Volume I of the book with Volume II, as it was filled with a structured analysis of the magazine, including a discussion of all the structural components of the magazine, i.e. sections, columns, fixed locations (Subchapter I); visual communication (graphic design, photographs, posters, photo essays, etc. – Subchapter II); and a quantitative, but also qualitative determination of the periodical’s belonging to a particular segment. This chapter showed unequivocally – which was not yet necessarily the case – that ‘Magazyn Muzyczny’, should be included in the category of rock magazines, as the data collected and scientifically analysed proved. In the context of photography: the following rock bands/ artists were most frequently printed on the covers: The Rolling Stones, Deep Purple, Metallica (3x each); Cocteau Twins, Dire Straits, The Police, Prince, D. Bowie, Bruce Springsteen, TSA, M. Davis (2× each); on the ‘spreads’: classic rock: (51.92%), hard rock/heavy metal (9.61%), pop and pop-rock (7.7%), jazz, reggae and other rock trends (30.76%); on the pictures: The Beatles (76), The Rolling Stones (57), TSA (47); Metallica (43); Brygada Kryzys (42); Jam (41); Lady Pank, David Bowie (39 each); Deep Purple (34); Iron Maiden, Voo Voo (31 each), and by genre: rock (27.31%), hard rock/heavy metal metal (13.45%), jazz/jazz rock (10.12%), pop-rock (6.9%), (6.1%), alternative rock/indie/Manchester/4AD (5.3%) and other pon. 5%. This de facto hegemony of rock and genres derived from it was also observed from the perspective of the most frequently described performers: of the 3216 artists/groups, practically two thirds were representatives of rock or related genres (64.17%), just over 10% jazz musicians (12.34%, but including jazz-rockers), 7.55% pop musicians and only 3.45% classical music artists.

V. I. Yudina

From the positions of systemic analysis, the author of the article determines the role of periodical press as an important source of research of the musical culture of the prerevolutionary Russian province. Against the background of the development of humanitarian knowledge, the studies of the musical provinces actualize the issue of the base of its scholarly field related to source studies. Particularly periodical press contains the basic information about the musical life of the prerevolutionary period of Russian history in all of its diversity. The periodical publications — from the capital cities and the periphery, the general and the specialized varieties — are specified on the basis of an elaborated classification. Emphasis is given to various printed material, different in its indication of genre, devoted to musical life in various cities of the Russian Empire — analytic sketches, survey correspondence, articles on music history, and informational-advertising production. The question is broached of the genre-related and stylistic transformation of musical journalism from descriptive overviews to articles of a problem-based culturological character. The participation of the activists of musical culture from a number of Russian cities in the formation of the areal tradition of musical criticism, the intensification of artistic connections between the provinces and the two Russian capital cities, the evolution of musical life in different cities (for example, in Odessa, Tiflis, Kharkov, etc.) — all of these are disclosed in the article. The musical periodical press of various provincial regions of Russia, represented by materials that are diverse in their genre and territorial affiliation, which has undergone a significant transformation of its content during the course of the entire 19th and the early 20th century, has made a significant contribution to the formation and the development of Russian music criticism and Russian musical culture in general.

Ricardo M. Tamayo, Danilo Rodríguez-Zapata, José A. Parra

Este estudio examina los patrones de selección de noticias en función de las actitudes implícitas y explícitas hacia las marcas de medios informativos, así como la manera en que la orientación política de las personas modula estas actitudes. En un experimento con 126 estudiantes universitarios (56 mujeres) de edades comprendidas entre 17 y 41 años, examinamos la elección de titulares atribuidos a los diarios colombianos El Tiempo y El Espectador mediante una tarea de selección forzada. Se midieron las actitudes implícitas y explícitas hacia las marcas, la frecuencia de consulta, la orientación política y el cambio en las actitudes tras presentar un artículo de intervención que explicaba el fenómeno del sesgo de confirmación. Los hallazgos indican que las actitudes explícitas, pero no las implícitas, predijeron la elección de los titulares de prensa. La frecuencia de consulta predijo la orientación política de las personas, aunque este efecto funcionó a través de las actitudes explícitas. El artículo de intervención modificó las actitudes explícitas, pero no las implícitas. Los participantes mostraron una leve tendencia política de izquierda y prefirieron contenidos del diario El Espectador, probablemente debido al sesgo de confirmación. En conclusión, las actitudes explícitas influyeron en la elección de titulares, la frecuencia de consumo y la orientación política de la muestra.

Baldzhya B. Dyakieva, Nyudlya Ch. Ochirova, N. A. Erekteeva

The process of formation of children's journalism in Kalmykia dates back to a difficult and contradictory period of the 1930s. The Kalmyk children's press traces roots back to the year 1934 when the first pioneer newspaper "Lenina achnr" (”Lenin's grandchildren”) was organised. In genre terms, the newspaper was very diverse, as in addition to the usual information ‒ articles, sketches, etc., it included poems, stories, plays, fairy tales of not only Russian and Kalmyk authors, but also Ossetian, Karakalpak, Dagestan and other writers. The diversity of the newspaper's content was complemented by such folklore genres as riddles, proverbs, charades, etc. Genre features and topical content of the publication in question form its typological model, which represents one of the most important factors in the individualization of children's media of that time. a number of issues related to the involvement of the young generation in the socio-political life of society and their importance in the educational activities of that time are being researched. Functionally designated purpose, problem-thematic diversity of the first children's newspaper and the current state of national children's periodicals are brought to light.

V. Sadivnychyi

Introduction. The First World War is a forgotten and completely unhonored page in the history of Ukraine. Instead, events and facts related to it are actively investigated in many European countries. In journalism and journalism studies, the topic of activity of specialized newspaper and magazine editions of medical topics was not investigated in that period, therefore, a picture of the emergence, formation, and development of such a press was not created, and its systematization was not carried out. Relevance and goal. The goal of the research is to analyze the problem-thematic components of specialized medical periodicals and continuing publications of the First World War period (1914–1918), to find out the peculiarities of their emergence and activity, and to introduce the specified press into scientific circulation. The relevance is formed by the lack of a comprehensive study of the activities of the specialized newspaper and magazine medical press of the specified period, its systematization, and problem-thematic priorities. Methodology. Descriptive methods are used as a basis during the research, which allows us to penetrate the causes of this or that phenomenon, find out the main stages of its development, the influence of a specific situation on the nature of events and phenomena; and compare local phenomena with general historical processes. Based on the periodization of the history of the development of the Ukrainian press proposed by the Research Institute of Press Studies, the study focuses on the fifth period – Ukrainian periodicals of the First World War 1914–1917. Results. The beginning of the First World War led to the closure of many publications. This was caused by increased censorship and financial problems of publishers. However, new periodicals also appeared during this period. In particular, 6 editions of military-medical topics were published: «Voenno-sanitarnii obzor» (1917), «Vrachebno-sanitarnie izvestiya Upravleniya Glavnoupolnomochennogo Krasnogo Kresta Yugo-Zapadnogo fronta» (1916–1918), «Izvestiya Kievskoi rentgenovskoi komissii» (1915–1917), «Nash zhurnal» (1917), «Nashe slovo» (1917), «Pomoshch ranenim» (1914). The thematically mentioned editions focused primarily on essential problems that arose in society with the development of military operations. The authors focused on the treatment of injuries from new ballistic weapons, rapid-fire machine guns, gas gangrene, damage by mustard gas and chlorine, the spread of epidemic diseases on the fronts, etc. Conclusions. The research gives reasons to state that during this period, 6 editions were published, which, based on typological characteristics, we include in the military-medical press. Their pages were dominated by messages related to the struggle for the lives of the wounded and the organization of military medical aid. These publications played one of the leading roles in the representation of military reality.

O. V. Matveyev

Introduction. The author considers the historical and literary heritage of I. I. Dmitrenko as an integral phenomenon, claiming that it was an important place in the development of provincial historiography of pre-revolutionary Russia. Materials and methods. The work uses the historical-systemic method, which made it possible to consider the life path and historical heritage of I. I. Dmitrenko as an integral system in which all blocks and elements (the history of the Kuban Cossacks, provincial historiography, the service of a Cossack officer, literary and social activities, personalities, etc.) are interconnected and conditioned. The source base comprises archival funds of federal and regional significance, as well as historical and literary works by I. I. Dmitrenko, identified in the capital and regional materials of the periodical press, collections of historical documents compiled by a historian, etc. Analysis. The author specifies a number of data about the life and legacy of I. I. Dmitrenko. A study of I. I. Dmitrenko’s publications in Kubanskie Oblastnye Vedomosti showed that his articles and notes are a meaningful source on the personal history of the Troops, provide biographical information, and brief descriptions of Kuban generals and officers. One of the main directions of historical and literary creativity of I. I. Dmitrenko is the preservation of the historical memory of the Kuban Cossacks. He addressed this in his journalism, historical articles, archival searches, which resulted in fundamental collections of documents. The fundamental collection of documents compiled by I. I. Dmitrenko was not appreciated by his contemporaries. The periods of life and work of I. I. Dmitrenko in 1903–1917 and 1920–1936 require additional study. Results. The main merit of the historian was a great archaeographic work, the introduction into scientific circulation of a large number of rare documents that made it possible to present the early history of the Cossacks of the Kuban and the Terek. The historical heritage of the Cossack officer reminded of the glorious pages of the heroic past, critically comprehended the role of the state and officials in the life of the Cossacks. The dramatic fate of the historian, as in a mirror, reflected the contradictory era in the life of the country, which he selflessly served.