Semantic Scholar Open Access 2020 159 sitasi

Music Theory and the White Racial Frame

Philip A. Ewell

Lihat Sumber DOI

Abstrak

For over twenty years, music theory has tried to diversify with respect to race, yet the field today remains remarkably white, not only in terms of the people who practice music theory but also in the race of the composers and theorists whose work music theory privileges. In this paper, a critical-race examination of the field of music theory, I try to come to terms with why this is so. I posit that there exists a “white racial frame” in music theory that is structural and institutionalized, and that only through a deframing and reframing of this white racial frame will we begin to see positive racial changes in music theory.

Topik & Kata Kunci

Sociology

Penulis (1)

Philip A. Ewell

Format Sitasi

APA MLA BibTeX

Ewell, P.A. (2020). Music Theory and the White Racial Frame. https://doi.org/10.30535/mto.26.2.4

Akses Cepat

Lihat di Sumber doi.org/10.30535/mto.26.2.4

Informasi Jurnal

Tahun Terbit: 2020
Bahasa: en
Total Sitasi: 159×
Sumber Database: Semantic Scholar
DOI: 10.30535/mto.26.2.4
Akses: Open Access ✓