DOAJ Open Access 2013

Gestos musicales en la transición del clavecín al pianoforte (1770-1820)

Eduardo Sato Besoaín

Abstrak

This document examines the evolution of various “musical gestures” during the transition from harpsichord to pianoforte, focusing on the period 1770-1820. The work is based on historical sources and on my own experience as a pianist. The first part studies effective gestures (associated to the instrument and its touch), and the second one accompaniment gestures (associated to the performance). As a conclusion, I propose that the transition from harpsichord to piano, as well as the transition from a private to a public stage generated a more extensive display of the effective and accompaniment musical gestures discussed in this work.

Topik & Kata Kunci

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E

Eduardo Sato Besoaín

Format Sitasi

Besoaín, E.S. (2013). Gestos musicales en la transición del clavecín al pianoforte (1770-1820). https://resonancias.uc.cl/n-33/gestos-musicales-en-la-transicion-del-clavecin-al-pianoforte-1770-1820/

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