Touching Aesthetics: A Neurophilosophical Perspective

This paper explores how Patricia Churchland’s insights on methodological naturalism might underwrite a deeper understanding of the role of touch in aesthetic experience. Although aesthetics has privileged sight and hearing by relying on philosophical assumptions, we argue that recent research in neuroscience provides evidence of multimodal ingredients in meaningful encounters with art, including aesthetic tactual features. This calls for a substantial reassessment of aesthetic theory informed by contemporary neuroscientific insights. To support our claim, we provide a critical historical overview of the aesthetic tradition that systematically excluded the sense of touch. We present empirical evidence from several neuroscientific studies, where aesthetic experience is portrayed as fundamentally multimodal, especially involving touch. We then apply Churchland’s insights on methodological naturalism to aesthetic theory, arguing for her integrative, empirically informed approach in aesthetics. We conclude by exploring some philosophical, artistic, and institutional implications of recognizing touch as an integral dimension of aesthetic experience.