Le scénario, objet et support de la coordination dans la production des séries d’animation
Abstrak
The renewal regarding the determining importance of objects in the course of human practices, developed in the field of the anthropology of science and technology, allows us to catch a glimpse of the heuristic potential of such a focus while studying cultural and artistic creation. Screenplays, for instance, are textual objects located at the crossroads of many social and productive worlds when it comes to producing a cartoon episode, and appear to be key mediations for productive coordination. We intend to understand how they are practically used and to sketch their biography (from the screenplays’ birth to their substitution by other objects) in order to discover what is at stake inside the social and technological networks of the animation industry and its workers.
Topik & Kata Kunci
Penulis (1)
Maxime Besenval
Akses Cepat
- Tahun Terbit
- 2020
- Sumber Database
- DOAJ
- DOI
- 10.4000/rfsic.7997
- Akses
- Open Access ✓