Quelques réticences sur les théories de la ressemblance en musique
Abstrak
The purpose of this paper is to point out the limits of the resemblance theories in music. These aim to justify we can assign emotions to musical renditions by assuming that they arouse emotions akin to those evoked in humans. A sad piece of music would thus have some kind of property which assimilates them to a person’s sadness. These accounts’ main drawback is that they rely on a vague and flawed notion of similarity. They fail to specify in what way music and emotions could mirror one another. I will point out that this notion of resemblance that relies on an objectivity prerequisite, may not help us to grasp how to ascribe expressive properties to a musical work accurately.
Topik & Kata Kunci
Penulis (1)
Vincent Granata
Akses Cepat
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- 2020
- Sumber Database
- DOAJ
- DOI
- 10.4000/philosophiascientiae.2322
- Akses
- Open Access ✓