DOAJ Open Access 2011

Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers

Yves DAVO

Abstrak

After a study comparing Art Spiegelman’s cover album with the “outrenoir” concept theorized by the French painter Pierre Soulages, this article will aim at redefining Spiegelman’s autobiography as “outrebiography,” understood here as going beyond the bounds of a mere testimony of the self towards the biography of a shared experience. This narrative figure, at the junction of self-centered discourse and political lampoon, gives the album a dissident overtone and will thus be analyzed as a counter-narrative. The “beyond black” cover of that post-9/11 narration will eventually appear not only as revelation but as a way to resist.

Topik & Kata Kunci

English language Social sciences (General)

Penulis (1)

Yves DAVO

Format Sitasi

APA MLA BibTeX

DAVO, Y. (2011). Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers. https://doi.org/10.4000/erea.2117

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Informasi Jurnal

Tahun Terbit: 2011
Sumber Database: DOAJ
DOI: 10.4000/erea.2117
Akses: Open Access ✓