Une synthèse musicale, un poème pour Thessalonique : S.P. 503, Le Poème du Vardar suivi de La Sonate à Salonique (1923) de Ricciotto Canudo
Abstrak
This paper aims to rediscover and shed light on a little-known yet essential poetic work for both the literary heritage of Thessaloniki and the European avant-garde: S.P. 503, Le Poème du Vardar by Ricciotto Canudo, followed by La Sonate à Salonique, accompanied by a portrait of the author by Picasso and a musical frontispiece by Maurice Ravel (Paris, 1923). Inspired by his experience of the First World War on the Macedonian Front, Canudo forges a poetic link between the Macedonian landscape and musical structures. Thessaloniki, both a cultural crossroads and a strategic location, occupies a central place in his poetic imaginary, within an avant-garde quest for a new poetic synesthesia that unites poetry, music, and the visual arts.
Topik & Kata Kunci
Penulis (1)
Mélina Moschou
Akses Cepat
- Tahun Terbit
- 2025
- Sumber Database
- DOAJ
- DOI
- 10.4000/15f5t
- Akses
- Open Access ✓