Un anti-musée des arts industriels : la galerie d’Apollon du Louvre sous Napoléon III et au début de la IIIe République
Abstrak
This article examines the ideological factors that delayed the establishment of a museum of decorative or industrial arts in nineteenth-century France, to the benefit of the Louvre. It shows that under Napoleon III, the Galerie d’Apollon functioned as a substitute for such a museum within a political context marked by Caesarism, and that the Third Republic continued this arrangement without fundamentally challenging it. The study brings together the history of museum spaces and that of the objects displayed, considered as material and symbolic configurations whose staging generates new meanings. The reorganisation of the Galerie d’Apollon after 1861 thus provides a framework for understanding how certain museographic choices have had a lasting impact on the status accorded to decorative arts in France.
Topik & Kata Kunci
Penulis (2)
Sophie Guermann
Pascal Griener
Akses Cepat
- Tahun Terbit
- 2025
- Sumber Database
- DOAJ
- DOI
- 10.4000/15bjs
- Akses
- Open Access ✓