Unité et fragmentation chez Baudelaire
Abstrak
In his art criticism of the 1840s, Baudelaire sought, by emphasising the importance of colour over drawing, a parallel between the artistic unity created by a superior artist and the collective unity of artists who gather around a master. However, from the 1850s onwards, he was not always seeking unity in art as a symbol of collective order among men, because, in his view, there were no longer any artists capable of leading mediocre individuals. Nevertheless, Baudelaire also understood that freedom and equality lead to universal violence. This explains, on the one hand, his pessimistic view of the world, based on the idea of original sin, and, on the other hand, the dynamic nature of his poetic works, in which a stable ideal state is never established.
Topik & Kata Kunci
Penulis (1)
Ryusuké Ebiné
Akses Cepat
- Tahun Terbit
- 2025
- Sumber Database
- DOAJ
- DOI
- 10.4000/15aq1
- Akses
- Open Access ✓