Una oración hebrea de alabanza general

In this article an approach is developed, from the structural analysis and the analysis of the religious imaginary of the Pérek Shirá or "Song of Creation." One of the main emphases is to reveal its mood and structure, as well as the main themes ofits six chapters or subdivisions. Likewise, it is about finding the way in which the praise that the editor or editors systematized in their text, correspond to a general trend in the context of the Tefilah or Hebrew prayers. Following withan analytical orientation, we seek to find the way in which prayer, as discourse, reveals a pantheistic orientation orof recognition of the ubiquity of the Divine presence, which leads to verifying whether it has parallels with other traditions, such as the Franciscan, with the "Song to Brother Sun" or "Song of the Creatures" or the gratitude that David reflects in the Psalm 148 among his other creations. Finally, it is established as a relevant comprehensive aspect to establish differences between the Hebrew Tefilah and Christian prayers, which leads to delving into the profound meaning underlying the lines of the Perek Shirá