Nie ma jednych Chin: Teatry chińskie w Azji Wschodniej
Abstrak
This article discusses Rossella Ferrari’s book Transnational Chinese Theatres: Intercultural Performance Networks in East Asia. This research monograph by a scholar of Chinese theaters focuses on characterizing transnational artist networks in East Asia. Investigating theater collaborations of artists from China, Taiwan, and Hong Kong, Ferrari proposes a transnational and rhizomatic model for analyzing Sinophone culture. The book makes use of multiple sources not referenced in previous research, unpublished materials, and interviews. Ferrari explicitly dissociates herself from the orientalization of Eastern theaters; as her main method in researching them, she chooses Asia itself, following the Taiwanese cultural sociologist Chen Kuan-hsing (Asia as method) and listening carefully to the voice of Chinese theaters.
Topik & Kata Kunci
Penulis (1)
Maciej Szatkowski
Akses Cepat
- Tahun Terbit
- 2023
- Sumber Database
- DOAJ
- DOI
- 10.36744/pt.1472
- Akses
- Open Access ✓