The philosophy of nature as a springboard into social realism: about Ibsen's Emperor and Galilean and a post-secular interpretation of the drama by Hilda Hellwig

Friedrich von Schelling was a significant cultural influence when Henrik Ibsen lived in Germany in the 1850s. However, because of Schelling’s Naturphilosophie, which stood out as irreconcilable with the scientific philosophy of the positivists, Schelling came to be more and more neglected after the mid-nineteenth century. His pronounced idealism, belief in God, and metaphysical comments were branded ‘old-fashioned’ soon after his death. Today, Schelling is mentioned in contexts where ideas about ‘mindfulness’ are of importance. In 1979 a clinic for Mindfulness-Based Stress Reduction (MBSR) was founded and although originally articulated as an element of Buddhism, it is pointed out by committed practitioners that there is nothing inherently religious about mindfulness. It is however about integrating the healing aspects of Buddhist meditation practices with the concept of psychological awareness and healing. To a high degree in Western countries, psychotherapists have adapted and developed mindfulness techniques. When it comes to metaphysics, Schelling’s influence on the religious ideas that were accepted by Ibsen was never acknowledged. This text will throw some light upon Schelling as a source of inspiration for Ibsen and his milieu. Is it so, that Schelling’s ideas not until our ‘post-secular’ epoch have come into their own? Ibsen producers and actors are familiar with ‘New World Mindfulness’ and the history of mindfulness in the West.