THE FORCES OF THE FIGURAL OR SOME CATEGORIES OF ANALYSIS FOR MODERN AND CONTEMPORARY PLAYWRIGHTS
Abstrak
The dramatic character, as forged by the Aristotelian-Hegelian tradition, got through a decomposition-recomposition process throughout the 20th century, achieving new basis and nomenclature. For that matter, we propose to investigate the pertinence of the Figure’s conception developed by Gilles Deleuze (1981) from the analysis of the Anglo-Irish painter Francis Bacon’s work and as a theoretical development of the homonymous notion formulated by Jean-François Lyotard (1979) to the analysis of a part of the modern and contemporary dramaturgies. To do so, we collate a few examples of this dramaturgy and its staging with the Baconean paintings, organizing our discussion from some of the analytical categories raised by Deleuze in his study. Keywords Figure. Figural. Modern Dramaturgy. Contemporary Dramaturgy. Francis Bacon.
Topik & Kata Kunci
Penulis (1)
Nayara Macedo Barbosa de Brito
Akses Cepat
- Tahun Terbit
- 2020
- Sumber Database
- DOAJ
- DOI
- 10.22456/2236-3254.95990
- Akses
- Open Access ✓