DOAJ Open Access 2017

Impersonal Presences: tones of human in the landscape-scene

Maria Clara Ferrer

DOI

Abstrak

Considered as an acting feature, presence is generally approached from the actor’s perspective. Disrupting this conception, this work intends to grasp presence as a relational, not a personal quality. For this purpose, two performances will be analyzed: Heiner Goebbels’s Stifters Dinge and Claude Régy’s Variations on death. Created as landscapes, both performances develop a non-anthropocentric aesthetics of the scene and allow envision presence as a perception phenomenon and from the point of view of the audience activity.

Topik & Kata Kunci

Drama Dramatic representation. The theater

Penulis (1)

Maria Clara Ferrer

Format Sitasi

APA MLA BibTeX

Ferrer, M.C. (2017). Impersonal Presences: tones of human in the landscape-scene. https://doi.org/10.1590/2237-266069866

Akses Cepat

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doi.org/10.1590/2237-266069866

Informasi Jurnal

Tahun Terbit: 2017
Sumber Database: DOAJ
DOI: 10.1590/2237-266069866
Akses: Open Access ✓