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Abstrak
This article intends to briefly analyze the characteristics that the form of the essay assumes in György Lukács, Walter Benjamin and Theodor W. Adorno’s thought. I focused on one single point: the central function that the essay acquires within the relations between particulars and system. The results are particularly interesting since, in the face of a substantial agreement on initial diagnosis, the three autors propose very different solutions: Lukács intends the form of the essay as the only possible way to overcome the fracture between world and totality; on the contrary, Adorno intends that same form as the only form adequate to express the insurmountability of the fracture; finally, Benjamin tries to keep both sides togheter: the autonomy of the trascendent and the salvation of the immanent.
Topik & Kata Kunci
Penulis (1)
Luca Di Viesto
Akses Cepat
- Tahun Terbit
- 2017
- Sumber Database
- DOAJ
- DOI
- 10.13130/2239-5474/9211
- Akses
- Open Access ✓