DOAJ
Open Access
2019
Henrik Ibsen auf der Vorstadtbühne. Carl Henop-Hauswirths Parodie von «Klein Eyolf» im Spiegel der sozialen Raumsemantik Wiens<br><i>[Henrik Ibsen on the popular stage. Carl Henop-Hauswirth’s parody of «Klein Eyolf» in the semantic context of Vienna’s social space]</i>
Cornelius Mitterer
Abstrak
Henrik Ibsen’s naturalistic drama Klein Eyolf (1894) was successfully performed at prestigious theatres in London, Berlin and Vienna, a fact which emphasises the establishment of Naturalism in bourgeois high culture. Carl Henop-Hauswirth’s German parody of Ibsen’s play, entitled Klein-Schreyolf (1895), was performed at one of the many popular theatres in the Viennese suburbs only a few weeks after the premiere. This article analyses the social and artistic circumstances leading to the Ibsen parody. It shows the critical exchange of culture between Vienna’s city centre and periphery.
Topik & Kata Kunci
Penulis (1)
C
Cornelius Mitterer
Format Sitasi
Mitterer, C. (2019). Henrik Ibsen auf der Vorstadtbühne. Carl Henop-Hauswirths Parodie von «Klein Eyolf» im Spiegel der sozialen Raumsemantik Wiens<br><i>[Henrik Ibsen on the popular stage. Carl Henop-Hauswirth’s parody of «Klein Eyolf» in the semantic context of Vienna’s social space]</i>. https://doi.org/10.13130/1593-2508/11499
Akses Cepat
Informasi Jurnal
- Tahun Terbit
- 2019
- Sumber Database
- DOAJ
- DOI
- 10.13130/1593-2508/11499
- Akses
- Open Access ✓