“My guitar is my rifle”: Mexican migrants mobilising unconventionally through arts

Abstract Diasporas can create, transform, and exploit transnational networks to engage in political movements in their homeland and in their hostland, engaging in both electoral and non-electoral politics through political parties, political campaigns, and hometown organisations. However, the individual processes of subjectivation and its relationship with arts as a form of political engagement have been under-explored especially in contexts of violence and insecurity. This ethnographic paper sheds light on the micro-level of diaspora mobilisation by introducing the concept of “subjectivity” as a key term to analyse the transnational and unconventional political practices organised by migrants. As a result, this research aims to answer the following questions: (1) How are Mexican migrants becoming diasporic political subjects and creating spaces of transnational political activism in reaction to the context of violence in their homeland? (2) What makes them resort to art as a repertoire of contention against violence in their home towns? The paper introduces empirical examples collected in Brussels during 19 months of fieldwork with members of the Mexican diaspora, including semi-structured interviews with key informants and participant observation at political demonstrations, music rehearsals, charity concerts, gastronomic and artistic festivals, and political debates.