The Transcendence of Traditional Concepts in Modern Chinese and Western Painting

This study investigates the transcendence of traditional aesthetic concepts in modern Chinese and Western painting practices. It addresses a gap in compara-tive art studies by focusing specifically on how artists in both traditions move beyond established norms. The research employs a comparative analysis of se-lected artworks, examining the reinterpretation of traditional techniques, the influence of cross-cultural exchange, and the embrace of abstraction and con-ceptual art. It argues that modern Chinese painting transcends tradition through the integration of Western methods while retaining Chinese philosophical ele-ments. Simultaneously, modern Western painting achieves transcendence by adopting abstraction and challenging representational conventions. Despite differing cultural origins, artists in both spheres share a commitment to ex-panding artistic boundaries and questioning established norms. The study finds that this transcendence is not a complete abandonment of the past, but rather a reimagining of traditional components to reflect contemporary realities. The research contributes a nuanced understanding of the evolving definitions of beauty and artistic value in modern art, shaped by social, political, and techno-logical shifts. It offers insights into the shared and distinct approaches of Chi-nese and Western artists in their pursuit of artistic innovation.