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2021
The Racial Aesthetics of DC Hardcore
Shayna L. Maskell
Abstrak
Chapter 2 focuses on Bad Brains, their seminal 1982 release of the same name, and how that pivotal album creates and simultaneously deconstructs conventional representations of a black identity, including the parallels between jazz and blues. The chapter also probes the contradictions and complications of black identity through the electric guitar as a sonic threat and an affirmation of white technical virtuosity, using the binary of blackness and whiteness to understand how race is constructed. This chapter also includes a discussion of the whiteness of DC hardcore, particularly through the contrast of Bad Brains and Minor Threat.
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Shayna L. Maskell
Akses Cepat
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- Tahun Terbit
- 2021
- Bahasa
- en
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- DOI
- 10.5622/illinois/9780252044182.003.0003
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